A sympathetic, evenhanded biography of a man notorious for his savage wit.

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LAST MAN STANDING

MORT SAHL AND THE BIRTH OF MODERN COMEDY

Biography of the acerbic, irreverent comedian who inspired a new generation of performers.

When Mort Sahl (b. 1927) debuted on stage in 1953 in San Francisco, he wanted his pithy social and political jibes to change comedy. In an entertaining, abundantly—sometimes overwhelmingly—detailed biography, Curtis (William Cameron Menzies: The Shape of Films to Come, 2015, etc.), biographer of Spencer Tracy, Preston Sturges, and W.C. Fields, makes a strong case for Sahl’s influence. For Woody Allen, Sahl opened up “a whole new style of humor” that led him to become a performer rather than just a writer. Dick Cavett called Sahl’s performances “stunning.” Among early admirers were Jack Benny, Groucho Marx, and Milton Berle. Skewering presidents, platitudes, and hypocrisy, Sahl got his material from daily newspapers, which he often carried onstage. “Wherever there is political bloat,” Hubert Humphrey remarked, “Mort sticks a pin in it.” He set out to shock and discomfit. “Are there any groups we haven’t offended yet?” Sahl often asked his audiences. Curtis had Sahl’s cooperation and also interviewed colleagues, one ex-wife, and assorted friends. While celebrating Sahl’s career, he is forthright about his subject’s many shortcomings. Foremost among them was a tendency to bitterness, anger, and paranoia. He was certain, for example, of an “industry-wide conspiracy” to keep him off TV even though his appearances were not always successes. He was convinced, as well, that John F. Kennedy’s assassination was the result of a conspiracy and, to the point of obsession, embraced the theories advanced by Mark Lane and Jim Garrison. “In time,” Curtis asserts, “the conspiracy Sahl blamed for keeping him unemployed got conflated with the one he saw as being responsible for the death of the president.” The author follows Sahl’s life chronologically, accounting for every nightclub, movie, TV, radio, and stage appearance; the women he dated, married, and broke up with; the colleagues he befriended or alienated; and the demons that beset him.

A sympathetic, evenhanded biography of a man notorious for his savage wit.

Pub Date: May 1, 2017

ISBN: 978-1-4968-0928-5

Page Count: 400

Publisher: Univ. Press of Mississippi

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 1, 2017

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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