While it can get bogged down in the minutiae of camera angles, set details, and the tedium of production, this is an...

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WILLIAM CAMERON MENZIES

THE SHAPE OF FILMS TO COME

Curtis (Spencer Tracy, 2011, etc.) details just about every aspect of director and film production designer William Cameron Menzies (1896-1957).

The author’s writing style allows readers to actually feel the methods Menzies used as he fractured perspective and created specific moods with angles and shadows. Undoubtedly, Menzies was the first and greatest master of film staging, art direction, and what is now known as production design. From his first great triumph in The Thief of Bagdad (1925) to Around the World in 80 Days (1956), he spent nearly every waking hour designing settings and sketching out every camera angle for every shot. When we hear of storyboards, we have this man to thank for inventing them. Having a sketch showing exactly what was needed saved hours of time and materials. Some directors, such as Sam Wood, relied entirely on Menzies’ work. Together, they produced wonderful films until Wood dissolved their partnership over politics during the 1950s. Curtis provides wonderful sections about his subject’s groundbreaking work on Our Town (1940) and an extended chapter devoted to Gone with the Wind (1939). Working for David Selznick on that picture was one of the most difficult assignments, as the producer was wont to micromanage, changing schedules, calling meetings, and then arriving late. Menzies was a significant part of the history of filmmaking, from silent films to sound pictures, the advents of color, 3D, and Cinerama. At the birth of TV, he worked on Halls of Ivy with Ronald Colman. While he was vital to the movie industry, with the exception of the first Oscar awarded for art direction, plaudits and applause were limited to those few who understood his contributions. Fortunately, Curtis fills in all the missing pieces.

While it can get bogged down in the minutiae of camera angles, set details, and the tedium of production, this is an illuminating, long-overdue book about the man who taught the world how to make a good film.

Pub Date: Nov. 10, 2015

ISBN: 978-0-375-42472-4

Page Count: 448

Publisher: Pantheon

Review Posted Online: Aug. 16, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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  • New York Times Bestseller

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An engrossing memoir as well as a lively treatise on what extraordinary grace under extraordinary pressure looks like.

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BECOMING

The former first lady opens up about her early life, her journey to the White House, and the eight history-making years that followed.

It’s not surprising that Obama grew up a rambunctious kid with a stubborn streak and an “I’ll show you” attitude. After all, it takes a special kind of moxie to survive being the first African-American FLOTUS—and not only survive, but thrive. For eight years, we witnessed the adversity the first family had to face, and now we get to read what it was really like growing up in a working-class family on Chicago’s South Side and ending up at the world’s most famous address. As the author amply shows, her can-do attitude was daunted at times by racism, leaving her wondering if she was good enough. Nevertheless, she persisted, graduating from Chicago’s first magnet high school, Princeton, and Harvard Law School, and pursuing careers in law and the nonprofit world. With her characteristic candor and dry wit, she recounts the story of her fateful meeting with her future husband. Once they were officially a couple, her feelings for him turned into a “toppling blast of lust, gratitude, fulfillment, wonder.” But for someone with a “natural resistance to chaos,” being the wife of an ambitious politician was no small feat, and becoming a mother along the way added another layer of complexity. Throw a presidential campaign into the mix, and even the most assured woman could begin to crack under the pressure. Later, adjusting to life in the White House was a formidable challenge for the self-described “control freak”—not to mention the difficulty of sparing their daughters the ugly side of politics and preserving their privacy as much as possible. Through it all, Obama remained determined to serve with grace and help others through initiatives like the White House garden and her campaign to fight childhood obesity. And even though she deems herself “not a political person,” she shares frank thoughts about the 2016 election.

An engrossing memoir as well as a lively treatise on what extraordinary grace under extraordinary pressure looks like.

Pub Date: Nov. 13, 2018

ISBN: 978-1-5247-6313-8

Page Count: 448

Publisher: Crown

Review Posted Online: Nov. 30, 2018

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