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AVOID BORING PEOPLE

LESSONS FROM A LIFE IN SCIENCE

Vintage Watson: brash, bumptious, brilliant—and never boring.

Age cannot whither nor custom stale the sharp tongue of “Honest Jim”—the title the Nobel Prize–winning Watson (DNA: The Secret of Life, 2003, etc.) originally wanted for The Double Helix, his first tell-all account of science and personal history.

Now in his late 70s, Watson chronicles his life from birth through middle age. We learn of a close-knit family and an early love of ornithology, but the even greater appeal of genetics by the time of graduate school. Watson’s career took off as he began working with hot-shot geneticists studying bacterial viruses (phages) like the future Nobelists Salvador Luria and Max Delbrück. Indeed, the names of Watson’s mentors, peers and former graduate students read like a Who’s Who in molecular biology. They also underscore some of the “remembered lessons” he adds to each chapter, e.g., “choose a young thesis advisor”; “choose an objective apparently ahead of its time.” The main text deals with the years Watson taught at Harvard and later when he became director of the Cold Spring Harbor Laboratory on Long Island, moving it from near bankruptcy to growth and continued pre-eminence. Watson has certainly made his mark as scientist, teacher, textbook writer, nurturer of talent and canny administrator. But Honest Jim also made known his contempt for mediocre faculty and administrators, and he lost a key battle in trying to get Harvard to fund tumor virus studies—the Next Big Thing in the ’60s and ’70s. Around that time, Jim, ever the nerd, finally met and won the lovely Liz, a Radcliffe undergraduate who married the 39-year-old bachelor in 1968. The chronicle ends abruptly in the mid-’70s, save for a shocker of an epilogue 30 years later. Watson again confronts Harvard with the need to beef up basic science only to face Larry Summers and later Derek Bok, who had distinctly other ideas—though Watson does not fault Summers for his conjecture on women in science.

Vintage Watson: brash, bumptious, brilliant—and never boring.

Pub Date: Sept. 27, 2007

ISBN: 978-0-375-41284-4

Page Count: 336

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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