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The Agreement

From the Shadow Tales series , Vol. 3

Routine monsters, but the story’s no less invigorating and the hero’s always entertaining.

Drummond’s (Something Wiccan, 2015, etc.) latest supernatural thriller finds its recurring teen hunter and his pals confronting vampires who’ve taken control of a Scottish town and its residents.

Now that his son Toby’s back in Silver Falls, Oregon, Sheriff Walter Hoffman’s reluctant to let the teenager return to Germany to train with the European Huntsman’s Network. But when baddies show up to retrieve powers Toby’s “inherited” from a dead warlock, Walter agrees that his son may be safer overseas. Toby’s girlfriend, Rachel, tags along, wanting to know how his decision on whether or not to be a hunter will affect their future together. Already in Germany is friend Natalie, a witch with newfound and inexplicably potent abilities who’s spent the last couple of months training. Hunter Jack Steele, meanwhile, has lost contact with colleague Angelina, in an area where other hunters have disappeared. She’d been tracking Gavin, a bloodsucking crony to vampire Alister McKean, who killed Jack’s parents years ago. Jack and Toby follow Angelina’s trail to Loubcroy, where vampires have made an agreement with humans: if vampires can be fellow citizens, they won’t harm humans. Rachel and Natalie join the two hunters later, and soon they’re facing off against a batch of sinister fanged foes. The hunters can only hope the frightened townsfolk will stand their ground to take back Loubcroy. Despite head trainer Henry Graves recommending that the girls “forget everything” they’ve read or seen about vampires, the author’s third series entry relies primarily on genre conventions. Readers know that sunlight hurts, wooden stakes kill, and vampirism equals virus. Drummond, however, fills his narrative with scorching, relentless action, the bulk of it set in vampire-infested Loubcroy. There’s a plethora of undead villains, and Toby’s increasingly chic capabilities allow him, among other things, to stake vampires telekinetically. The girls unfortunately stand on the sidelines for most of the story: Rachel does little as a mystic, while Natalie can barely control her powers. But everyone’s engaged in battle by the final act, with a gripping dilemma to close the book: Toby does something drastic that makes him not much better than the fiends he’s been staking.

Routine monsters, but the story’s no less invigorating and the hero’s always entertaining.

Pub Date: Jan. 30, 2016

ISBN: 978-1-5176-2992-2

Page Count: 422

Publisher: CreateSpace

Review Posted Online: Aug. 8, 2016

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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