This tale of otherworldly creatures maintains an impressive energy throughout, with an ending that makes reading Book 3 a...
Teen Toby Hoffman returns in Drummond’s (The One You Feed, 2013) supernatural thriller as a hunter apprentice whose first assignment pits him against a formidable warlock stealing powers.
Sixteen-year-old Toby was lucky to have survived his ordeal with werewolves in his hometown of Silver Falls, Oregon. But he’s caught the attention of the European Huntsman’s Network, which is looking for fresh recruits. Hunter Jack Steele convinces Toby to become a member, the teen’s sheriff father reluctantly approving the boy’s yearlong training overseas. Meanwhile, over in Ashland, Oregon, teen Natalie Sherwood stumbles upon a book in the attic—Sherwood Book of Incantations. She tries some spells with pal Brittany Richards, and wouldn’t you know it? The incantations work. Brittany and Natalie both hone their skills for a few months until Natalie’s auroras in the sky prove too public a display. The Network notices and, with Jack on assignment, sends still-in-training Toby on a relatively simple mission to warn the witch against future demonstrations. But it’s too late: warlock Eirik Devlin, who’s been tracking down witches and Wiccans to drain them of their abilities and life forces, has already spotted Natalie’s light show. Toby reunites with possible love interest Rachel Chochopi, in Ashland checking out a university and now with a power she wasn’t previously aware of. Unfortunately, Natalie’s newest hex may have awakened something as lethal as Eirik, if not more so. With nary a lycanthrope in sight, Drummond diversifies his series’ world to include all sorts of strange denizens. In addition to witches, there’s a hint of a Wendigo, a vampire that Jack’s been pursuing for nearly two decades, and something else revealed later in the book. Toby remains the hero who, like last time, is driven by his noble urge to save people, blaming himself for his mom’s car-accident death. But Natalie is a resounding character with a reasonable curiosity (is she a descendant of witches?) that makes her amateurish attempts at spell casting more discovery than recklessness. Seemingly endless confrontations occur, though the highlight is also the most comical: Toby has to battle mesmerized medieval role-playing college students—for real.
This tale of otherworldly creatures maintains an impressive energy throughout, with an ending that makes reading Book 3 a virtual necessity.Pub Date: Dec. 16, 2015
ISBN: 978-1-5176-1351-8
Page Count: 408
Publisher: CreateSpace
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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