Rich characterization and sharp writing turn just another werewolf tale into something special.
A teen’s shocked to learn that not only is a werewolf running loose in town, but it may be his best friend, in this debut novel and start of a supernatural series.
Toby Hoffman’s been a heavy-hearted recluse since losing his mom in a car accident when the young man was behind the wheel. Silver Falls, Oregon, may have a bright spot, however, with 16-year-old Rachel Chochopi as Toby’s new neighbor. Rachel’s friendly but despises bullies, convincing Toby’s best friend, Nate Schaffer, at school to defy browbeating Mike Mulligan and not give the jock his homework. Mike and his goons later retaliate against Nate, chasing him in the woods and leaving him trapped in a cavern. Luckily, a worried Toby and Rachel find Nate relatively unscathed in a torn, bloody shirt—but the stains aren’t his blood. There’s also a mutilated body out there, just like the one Toby’s sheriff dad, Walter, investigated earlier. Rachel’s uncle, Bimisi, wants her to return to the Umatilla Indian Reservation, fearing a legendary shaman is hunting the “white intruders.” Toby’s more concerned about Nate, positive his buddy’s new heightened senses—hearing, for example—and strength are indicative of a lycanthropic state. Not surprisingly, parents, including the sheriff, are reluctant to believe a werewolf’s responsible for a string of savage murders, so Toby and Rachel may have to stop the creature themselves. The brisk novel retains a straightforward plot by going the traditional route: a wolf-attack survivor inevitably becomes a lycanthrope, while silver bullets offer the best defense. Drummond aims for young adults, though there are dark moments. A few characters blurt obscenities, and gory parts abound—there’s definitely a lost limb or two. But it’s more exhilarating than horrific thanks to a speedy tempo and humor both subtle (potential wolf Nate loves monster-hunting games) and gleefully unsubtle (Wolfy’s Diner?). Drummond’s prose is likewise crisp and witty, with Nate watching a “pink lemonade dawn,” followed by “one of his sporadic, hypochondria-induced Internet searches.” The ending teases a sequel, but one that could expand Toby’s world, as well as the series, in curious new directions.
Rich characterization and sharp writing turn just another werewolf tale into something special.Pub Date: Aug. 2, 2014
ISBN: 978-1-5007-2447-4
Page Count: 388
Publisher: CreateSpace
Review Posted Online: June 7, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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