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2ND TIME AROUND

Hardy's follow-up to 1994's B-Boy Blues preserves the author's rep as a dazzling chronicler of ``street,'' gay, African-American culture. Sheer reporterly skill, however, sometimes gets in the way of structure and plot. A barrage of authentic dialogue casts the lives of Raheim ``Pooquie'' Rivers, a bicycle messenger, and Mitchell ``Little Bit'' Crawford, a journalist, in high relief: The men are still in love and still contending with the significant differences both between their individual cultures and more particularly between the gay black and white worlds. Raheim is raising his young son, ``L'il Brotha Man,'' while remaining conflicted about his sexuality. He hasn't been able to shake his hand-grenade temper and appetite for lapsing into African-American hypermasculine poses, despite the fact that his homosexuality is becoming more visible. Interspersed throughout are chapters labeled ``Rewind,'' which offer glimpses of Raheim's former life—the birth of his son, for instance, plus a few saucy meditations, delivered in serious slang, on the pleasures of the flesh. In quick succession, Raheim becomes a male model and learns that his father is not, as he was led to believe, dead. A poignant moment follows in which Raheim has to explain this fact to L'il Brotha Man; Raheim's courage, both at rebelling against his father's example and sticking by L'il Brotha Man, and at working on his relationship with Mitchell, emphasize Hardy's upbeat attitude toward black-family alternatives. The story's tied up rather too tidily at the end, and Hardy doesn't always succeed in masking a thin plot with electrifying dialogue, but the characters—and their language—virtually jump off the page. Hardy manages to combine unself-conscious sentiment and blistering emotion in voices that refocus gay and African-American storytelling. A thoroughly fresh presence in an increasingly crowded field.

Pub Date: Oct. 1, 1996

ISBN: 1-55583-372-1

Page Count: 288

Publisher: Alyson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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