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THE DAY EAZY-E DIED

A nicely turned, breezy snapshot, displaying most of its virtues in the accumulation of detail—and in the creation of a...

A slight but engaging novel about AIDS, gay life, and African-American men in Manhattan.

Popular New York model Raheim Rivers is making his way toward Hollywood when he learns of that one his heroes, rap impresario Eazy-E, has been diagnosed with AIDS. Startled, he drives across state lines to have an HIV test—and Hardy (B-Boy Blues, 1994, etc.) achieves nominal suspense by playing out the story during the two weeks Raheim waits for the results. He cannot bring himself to tell his lover “Little Bit” that he’s been tested—and surely wouldn’t tell that he recently had a drunken fling with the aggressive Malice. In the meantime, Raheim’s son Li’l Brotha Man is negotiating through a new, mostly white school in New York and the social problems caused by his parents’ unique relationship. Raheim is still close with Sunshine, Li’l Brotha Man’s mother, but has (in the previous If Only for One Night, 1997) long since embraced his homosexuality. Thrown into the mix is his father, attempting to reconcile with the son he left behind, and some inconsequential stirrings about the O.J. Simpson trial. Raheim buys his mother a new home in Harlem and finally confesses to “Little Bit” about the test and his infidelity. He’s relieved when “Little Bit” admits he too had an “indiscretion”—as is everyone else when Raheim’s results come back negative. Notable for its distinct portraiture and unstudied way with dialogue, Hardy’s fluent evocation of the rhythms and sounds of his characters’ lives is rewarding, as is his fresh depiction of the social challenges facing upwardly mobile African-Americans. His bare treatment of contemporary politics is also blessedly free of off-putting hyperbole, leaving readers with some appreciation for his characters’ perspectives.

A nicely turned, breezy snapshot, displaying most of its virtues in the accumulation of detail—and in the creation of a persuasive milieu among which the modest theme weaves.

Pub Date: Aug. 1, 2001

ISBN: 1-55583-509-0

Page Count: 180

Publisher: Alyson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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