Derivative New York police procedural assembled from many bits and pieces of cheesy film noir and ultraviolent tough-cop thrillers. Though she's only 29, impossibly beautiful Nicole ``Niki'' Bass, the femme fatale with a heart of gold in Elliott's follow-up to his Washington thriller, Cold Cold Heart (1994), has managed to save up $900,000 in 18 months working the not-so-mean streets of Manhattan's East Side as a $1,000-per-hour prostitute. Shortly after turning down a five-carat diamond, a deluxe European getaway, and marriage (with a $100,000 money-back guarantee!) from mafia lawyer and accountant Michael Onorati, Bass watches Vincent Genero, the foulmouthed boss-of-bosses blow Onorati's skull apart for absconding with millions in Gambino family funds. While Genero and his cronies are savoring their kill, Bass takes off with Onorati's cash-packed briefcase, which also contains a computer disc detailing where the mob money went. Since she's the only witness to the crime, Genero wants Bass dead. After a hideous scene in which her Mayflower-Madam boss is tortured with a blowtorch, Bass winds up a protected witness with NYPD Detective Jack Kirby as her bodyguard. A guilt-ridden action hero whose marriage ended when his young daughter accidentally killed herself with his gun, Kirby permits himself to fall in love with Bass, who clearly knows more about high finance than she's letting on. Meanwhile, Carmine Molino, the next in line as wiseguy king, hires suavely vicious Cuban assassin Antonio Zamora as part of a scheme to rid himself of Genero and Bass, who, like all fantasy prostitutes, can't help but fall in love with Kirby. Champagne-soaked sex scenes and slick shoot-outs in expensive hotel rooms add nothing to this lifeless, film-me-please action tale reminiscent of the procedurals of the late William Caunitz, to whom the book is dedicated. (Film rights to Quentin Tarantino; Literary Guild alternate selection)
Pub Date: June 1, 1997
ISBN: 0-684-82362-4
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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