by James Essinger ‧ RELEASE DATE: Oct. 14, 2014
A robust, engaging and exciting biography.
The story of Ada Lovelace (1815-1852), the brilliant mathematician and the daughter of the poet Lord Byron, who likely wrote the first computer program in the early 1840s. Due to her gender, however, her research was overlooked, and another two centuries passed before computers became a reality.
Despite the fact that Ada was Lord Byron’s only legitimate daughter, her mother deemed him unfit to raise her and left him when Ada was just 1 month old. Her father’s reputation made Ada famous by association, and throughout her life, this recognition connected her with some of the era’s most interesting and accomplished people, including the mathematician Charles Babbage. As a child, Ada was fascinated by mathematics and demonstrated an “imaginative approach to science.” Through sheer force of will, she managed to obtain an education rarely available to women in the 19th century and was therefore able to recognize the profound potential in Babbage’s lifelong obsession, a machine he called the “Analytical Engine,” designed to make calculations. Babbage considered his invention to be purely mathematical, but Ada realized that the possibilities were much grander—that the machine could be capable of “weav[ing] algebraical patterns,” a sophisticated idea that did not yet exist at the time. In her writings, she clearly laid out these early concepts of computer science, but because she was female, she was essentially ignored. Essinger (Spellbound: The Surprising Origins and Astonishing Secrets of English Spelling, 2007, etc.) presents Ada’s story with great enthusiasm and rich detail, painting her life as one that was rich with opportunity and access but stifled by sexism. Ada continues to inspire, and by using her own voice via letters and research, the author brings her to life for a new generation of intrepid female innovators.
A robust, engaging and exciting biography.Pub Date: Oct. 14, 2014
ISBN: 978-1612194080
Page Count: 288
Publisher: Melville House
Review Posted Online: Sept. 12, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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