Next book

THE JUST AND THE UNJUST

There's faint flavor of The Last Adam (Cozzen's best book, in this reader's opinion), more in the sureness of his understanding of the undercurrents of village thought and way of life than in character. The setting is a county seat during a murder trial; the characters are primarily the lawyers on the case, with the ramifications of their families, and with but slight touching upon the principals of the trial or the jury. And yet all fit together into a pattern that — in the final analysis — shows how even the fumblings of the law and the trial by jury processes work together to some sort of result. One feels, in the main characters, a new grouping of personalities in a community :-they are Abner, acting as prosecuting attorney, as, presumably a step towards filling his superior's shoes in the next election, — Bonnie, to whom he is engaged in a typically New England offhand way, — Jesse, small time boss, whose control of his fate irks the independent Abner, and Harry Wurts, attorney for the defense, glib, clever, smart alecky. Abner is prickly and difficult and outwardly unappreciative of the human values of his relationships, but learns — in a series of small shocks to his ego, and in the culmination of the trial with his totally unexpected defeat in the jury's verdict, that life must be one of adjustment and compromise. The story is not the trial — it is the town, the interweaving of the trial with the daily round, the afterhours and social "doings" — and as such it comes alive. There is no character drawn so satisfactorily in the round as the doctor in The Last Adam. One gets less convincing a picture of the community. But the use of the trial as a lever is fresh —and its subordination to other aspects of life make it different from such books as Inquest or The Bellamy Trial.

Pub Date: July 23, 1942

ISBN: 0156465787

Page Count: 444

Publisher: Harcourt, Brace

Review Posted Online: April 12, 2012

Kirkus Reviews Issue: July 1, 1942

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview