MORNING NOON & NIGHT

Backward, ever backward, through sentences which sinuously, sonorously curl around parenthetical phrases and elliptical clauses, "vagariously" winds this retrospective of the life of Henry Dodd Worthington as now through "experience's actual disorder and inconsecutiveness" he tries to reconcile himself as he was (sufficiently remote to elicit a third person referral) with the man he now is in late middle age. . . . This doubtful construction is only intended as a warning to readers of Mr. Cozzens' new book which is his first novel in ten years and in which he has completed his mastery of the involute sentence. (Ibid.: "Heart conturbed, with dissolution's icy wind on him he does not, he cannot, elect to look ahead and, trembling, prefigure in the final gloom of night the river's calamitous sliding without intermission over the rock edge and wreathed with spray and vapor thundering down.") For those not by patience possessed, trying. . . . En avant—with Cozzens' Last Puritan as he assembles the parts of his life which, with a certain amount of grave questioning and judicious qualifying, have been important in this spectator-participant's total experience: his birth from a long line of acknowledged academic eminence and material affluence; his grandfather, seer and sage, who lived until 99 and repudiated Freud; his first seduction—an "unnerved unable blushing boy" at the hands of-an older woman; his marriage and divorce; his impatience with the marital capriciousness of his' daughter; his own ingenuous stance as a young man who found the workaday world of money unrelated to real life and its later reversal as via a Mind Power course he achieved a Madison Avenue empire, etc. etc. This reflective reconnaissance of "the kinds of unknowing in individual human experience" if parsed and pursued to its conclusion some six lines later, is intended to have "meaning for every man." Perhaps for Mr. Cozzens' admirers, although in Henry Dodd Worthington he seems to have removed himself to a considerable degree from his time and ours.

Pub Date: Aug. 1, 1968

ISBN: 0151621608

Page Count: -

Publisher: Harcourt, Brace & World

Review Posted Online: April 12, 2012

Kirkus Reviews Issue: Aug. 1, 1968

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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