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BUFFALO BOY AND GERONIMO

An anti-war novel certainly, but very much its own kind. Pervasively melancholy, folkloric in approach, it’s sustained by...

A beautifully written first novel about the ugliness of war—in Vietnam and anywhere else.

It’s 1970, and circumstances surrounding the life of 14-year-old Mong, Buffalo Boy, are harrowing, a consequence of the lethal attention emanating from Cu Chi, the main base of the 25th Infantry Division. Whether from the air (saturation bombing) or on the ground (napalm attacks), there has been destruction enough to cost Mong his father; in fact, no one in his village has escaped grievous loss. And yet, Mong, astride his buffalo Great Joy, feels empowered, transcending a reality composed of “scarred earth, of green rice fields burned, of trees and huts burned, ravaged.” Moreover, Mong has managed to fall in love—with Thien, also 14, whose breasts and hips fill his imagination with poetry. In the 25th Division, there’s another boy, only slightly older, Antonio Lucio Conchola, who calls himself Geronimo, a talismanic name from which he derives a sense of invulnerability. Geronimo has poetry in him, too, but war and killing have made him unnervingly strange, a condition that alienates him from his comrades. In that half-mad state, he has an almost otherworldly encounter with a tiger, perceiving the great beast as Blake did—burning bright. As a result, he decides that his only sensible course is to resign from the war, permanently. He wanders away from his platoon, eventually to be taken prisoner by Mongo. It’s an odd captivity, noticeably deficient in malice or enmity. It is as if, across the cultural and racial divide, the boys have somehow achieved an iota of affinity.

An anti-war novel certainly, but very much its own kind. Pervasively melancholy, folkloric in approach, it’s sustained by prose that is often lyrical, though never self-conscious.

Pub Date: Jan. 1, 2006

ISBN: 1-931896-19-4

Page Count: 124

Publisher: Curbstone Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2005

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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