THE JAZZ KID

When Paulie hears what his father calls ``that nigger music'' in a '20s Chicago club, it changes his life. Ignoring his parents' warnings, he loses all interest in school and sneaks out to take cornet lessons from a young jazz musician. He hears talk of the New Orleans Rhythm Kings, Benny Goodman, and other such luminaries, and he learns how jazz is beginning to break down racial barriers. Unable to keep his promise to get passing grades, Paulie runs away from home rather that give up his instrument. He crashes with his instructor; gets in a few solos as a stand-in; then, after a run-in with a gangster, returns, chastened (at least outwardly), to his parents. Readers will get more of a feel for the music from Bontemps' Lonesome Boy (1955) or Hentoff's Jazz Country (1965), but Collier offers a convincing portrait of a feckless young person who's capable of fierce concentration when he's doing what matters to him. (Fiction. 11-14)

Pub Date: May 1, 1994

ISBN: 0-8050-2821-8

Page Count: 216

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1994

Did you like this book?

No Comments Yet

THE BOY IN THE STRIPED PAJAMAS

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin. The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyle’s narrative; others will believe it was the wrong choice. Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2006

Did you like this book?

No Comments Yet

WHAT THE MOON SAW

When Clara Luna, 14, visits rural Mexico for the summer to visit the paternal grandparents she has never met, she cannot know her trip will involve an emotional and spiritual journey into her family’s past and a deep connection to a rich heritage of which she was barely aware. Long estranged from his parents, Clara’s father had entered the U.S. illegally years before, subsequently becoming a successful business owner who never spoke about what he left behind. Clara’s journey into her grandmother’s history (told in alternating chapters with Clara’s own first-person narrative) and her discovery that she, like her grandmother and ancestors, has a gift for healing, awakens her to the simple, mystical joys of a rural lifestyle she comes to love and wholly embrace. Painfully aware of not fitting into suburban teen life in her native Maryland, Clara awakens to feeling alive in Mexico and realizes a sweet first love with Pedro, a charming goat herder. Beautifully written, this is filled with evocative language that is rich in imagery and nuance and speaks to the connections that bind us all. Add a thrilling adventure and all the makings of an entrancing read are here. (glossaries) (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-73343-7

Page Count: 272

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2006

Did you like this book?

No Comments Yet
more