worth packing for the next campaign.
McCourt’s latest potboiler cuts an uneven swath through the nation’s capital, lovingly portrayed (in the sharpest Hogarthian
lines) as a nest of social climbers, criminals, homosexuals, mafiosi, religious fanatics, black supremacists, and politicians. We’ve met Danny Delancey and many of his friends before (Time Remaining, 1993, etc.). A reporter for the East Hampton Star (Long Island’s toniest local paper), Delancey is an inveterate survivor who grew up on the Lower East Side, went off to a Christian Brothers boarding school, and came out in Greenwich Village (during the pre-AIDS bacchanal of the 1970s, no less)—and lives to tell the tale. Now, in early middle age, he leads a somewhat more sedate life on the eastern edge of Long Island, but he can still rise to the occasion when adventure beckons. This particular adventure, however, doesn’t look particularly wild at first: It begins when Delancey is assigned to cover the congressional debate over a new environmental bill. Once inside the District, though, Delancey finds himself in a world as foreign and malign to him as the plains of Kansas would be to Kurt Weill. The president, a Bill Clinton look-alike known as POTUS, is something of a local joke, but Delancey soon finds himself sniffing out what seems to be the scent of some vast conspiracy against the man—and not just against his politics, either. Is an assassination plot hatching? Delancey has the advantage of being an outsider who can ask questions without arousing suspicion, and he also has an array of friends—gay porn star Rain, Georgetown society hostess Bam-Bam, opera diva Vana Sprezza—who can open doors that most journalists don’t even know how to find in broad daylight. But intelligence is only half the equation: Can Delancey tell the tale? Judge for yourself. A bit hyperactive even for a thriller, but McCourt’s narrative has a nice satiric edge and an air of credibility that make it
worth packing for the next campaign.Pub Date: Feb. 28, 2000
ISBN: 0-375-40311-6
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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