BLACK MARKET

Abysmally dumb terrorist novel whose plot would embarrass a Superman movie. Someone has blown up Wall Street. And it seems to be Green Band, a group of 26 disgruntled Vietnam veterans who are demolition experts and half of whom (including their one-armed leader Colonel David Hudson) suffer from PTSD (Post Traumatic Stress Syndrome, or combat flashbacks, nightmares and extremely intrusive memories). First, Green Band (or was it?) vaporized some piers, then 14 buildings on Wall Street, including The Federal Reserve Bank, Salomon Brothers, Bankers Trust, Merrill-Lynch, U. S. Trust Corporation and The Depository Trust Company. Down in Washington, young President Justin Kearney is relying on Arch Carroll, head of the State Department Special Terrorist Force. A widower with four kids and a heavy drinking problem, Carroll thinks nothing of arresting terrorists with the warning "You have no rights?' or of personally blowing them away with a machine gun in a crowded Syrian restaurant in Brooklyn. Kearney is also relying on Caitlin Dillon, the most powerful woman on Wall Street and beautiful Director of Enforcement for the SEC, who finds herself falling for Carroll. As it happens, even Premier Yuri Belov—whose KGB directorate was supposedly handling "The Red Tuesday Plan" for the sabotage and disablement of Wall Street and the entire Western economic system—wonders who Green Band is and what its precise relationship to the Red Tuesday plot could be. The Red Tuesday plot had been hatched in Tripoli by the oil-producing nations, but as aged Wall Street seer Anton Birnbaum tells Caitlin, America is really ruled by the supersecret Committee of Twelve (the American Wise Men), and they have used Colonel Hudson and Green Band to foil the Red Tuesday plot. True, the buildings are gone but the massive theft of US credit on the world's stock exchanges and subsequent US economic depression has not happened. Watch out, though, because this is the kind of mind. bending plot in which the chief villain, the supreme international terrorist known as Monserrat, can also be the head of the FBI, himself a master of disguise who can slip into a women's changing room at Henri Bendel's and shoot his gorgeous Brazilian mistress while she stands there in sheer black panties, his hand on her breast. Deserves drowning.

Pub Date: June 1, 1986

ISBN: 0007796536

Page Count: 399

Publisher: Simon & Schuster

Review Posted Online: Oct. 3, 2011

Kirkus Reviews Issue: May 15, 1986

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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