BROWN

A rollicking, at times extremely funny, tall tale disguised as a detective novel, careening with Hunter Thompsonesque panache through the restaurants, bars, and haunts of the corrupt rich in San Francisco, that classic mystery milieu. Polster's (A Guest in The Jungle, 1987) disheveled protagonist is McGee Brown, a Boston sportswriter and Harvard dropout, who quits his job and moves west to pursue a romance that quickly fails, leaving him desolate and destitute. His old classmate Fillmore, an obese Stanford psychologist, persuades Brown to set up as a shrink, easing Fillmore's overflow practice. In most of the scenes here, Brown, Fillmore, and swashbuckling patient Mr. Casbarian—a sword-carrying former producer of a 1960's TV show in the Erroll Flynn action mode—seem wasted on alcohol and other mind-altering substances. Meanwhile, Brown's first client, Mrs. Quilp, persuaded that her husband wants to kill her, is indeed dispatched by a gorilla in Mr. Quilp's menagerie, and the mystery is underway. Billionaire Quilp hires Brown to find his runaway daughter who, when located, asserts that her father is the devil. So do several other people, including an old man whose son was done in by a South American death squad—fingered, the man claims, by Quilp. Brown has no doubts as to his qualifications to practice psychology, learning quickly that ``you convolve everything the patient says and throw it right back.'' Then he himself is institutionalized and threatened with electroshock in a grossly fraudulent mental hospital. Finally, the rushed pile-up of an ending fails to fulfill the promise implicit in the taut, literary prose, which hints at deeper explorations of the characters' emotions and social milieu than ever materialize. Still, Polster practices the humorist's craft with a bold, sure hand that recalls Mark Twain. Good fun, if ultimately shallow.

Pub Date: May 1, 1995

ISBN: 1-56352-195-4

Page Count: 288

Publisher: Longstreet

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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