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BUZZKILL

A historical thriller enriched by characters who sparkle and refuse to be forgotten.

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A college student’s work as a confidential informant puts her dangerously close to a radical group with sinister plans in this novel.

Mary Jane Bailey’s freshman year at Cal State Long Beach in 1968 doesn’t involve the typical campus activities one might expect. Not long after her registration, a federal agency asks her to be an informant in order to infiltrate a group known as Burn It Down. Shortly thereafter, she witnesses masked individuals attack one of her handlers, Terry Griswald, a local detective. Jane furthermore encounters enigmatic Thaddeus Blank, who indirectly threatens her by brandishing a straight razor in plain sight and demands details on any BID reports she gives to the cops. Jane has a way into BID with classmate Maggie Molyneaux, who soon introduces her to Junior Higgins, the apparent leader. Including other female members, the BID “family” appears to be a batch of harmless, peace-loving hippies. But it’s evident that Junior is concocting something devious which involves Jane, whether she’s a willing participant or not. With help from Terry and fellow student Rider, Jane tries to decipher what exactly Junior’s ultimate objective is while dodging—or outright confronting—the occasional assailant. Preston’s (Crashpad, 2017, etc.) story is a fairly straightforward mystery; villains are generally pronounced, and even Junior’s scheme isn’t surprising. But the characters are a lively, extraordinary assortment. Jane, for starters, is a remarkable protagonist, unfazed by facing multiple baddies with a two-by-four or just her purse. Others stand out via their discernible shortcomings: Blank is shaken by Jane’s lack of intimidation when he sports his straight razor, and unassertive Terry wonders whether she set him up for the attack. The story thoroughly embodies the ’60s era, both its anti-war sentiments and pop culture. The decade is also humorously portrayed through Blank’s largely failed attempts at using slang; at one point, he confuses Jane by referencing already-outmoded “sock hops.”

A historical thriller enriched by characters who sparkle and refuse to be forgotten.

Pub Date: Oct. 3, 2017

ISBN: 978-0-9911516-6-0

Page Count: 171

Publisher: Rendrag Publishing

Review Posted Online: April 22, 2018

Kirkus Reviews Issue: June 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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