A historical thriller enriched by characters who sparkle and refuse to be forgotten.
A college student’s work as a confidential informant puts her dangerously close to a radical group with sinister plans in this novel.
Mary Jane Bailey’s freshman year at Cal State Long Beach in 1968 doesn’t involve the typical campus activities one might expect. Not long after her registration, a federal agency asks her to be an informant in order to infiltrate a group known as Burn It Down. Shortly thereafter, she witnesses masked individuals attack one of her handlers, Terry Griswald, a local detective. Jane furthermore encounters enigmatic Thaddeus Blank, who indirectly threatens her by brandishing a straight razor in plain sight and demands details on any BID reports she gives to the cops. Jane has a way into BID with classmate Maggie Molyneaux, who soon introduces her to Junior Higgins, the apparent leader. Including other female members, the BID “family” appears to be a batch of harmless, peace-loving hippies. But it’s evident that Junior is concocting something devious which involves Jane, whether she’s a willing participant or not. With help from Terry and fellow student Rider, Jane tries to decipher what exactly Junior’s ultimate objective is while dodging—or outright confronting—the occasional assailant. Preston’s (Crashpad, 2017, etc.) story is a fairly straightforward mystery; villains are generally pronounced, and even Junior’s scheme isn’t surprising. But the characters are a lively, extraordinary assortment. Jane, for starters, is a remarkable protagonist, unfazed by facing multiple baddies with a two-by-four or just her purse. Others stand out via their discernible shortcomings: Blank is shaken by Jane’s lack of intimidation when he sports his straight razor, and unassertive Terry wonders whether she set him up for the attack. The story thoroughly embodies the ’60s era, both its anti-war sentiments and pop culture. The decade is also humorously portrayed through Blank’s largely failed attempts at using slang; at one point, he confuses Jane by referencing already-outmoded “sock hops.”
A historical thriller enriched by characters who sparkle and refuse to be forgotten.Pub Date: Oct. 3, 2017
ISBN: 978-0-9911516-6-0
Page Count: 171
Publisher: Rendrag Publishing
Review Posted Online: April 22, 2018
Kirkus Reviews Issue: June 1, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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