The noir formula readily accommodates Sallis’ mannered dialogue. Even so, most readers will feel a jarring split between the...

READ REVIEW

DRIVEN

Just in time for fans of the Ryan Gosling film adaptation, the further adventures of Driver (Drive, 2005).

He’s been calling himself Paul West for seven years. That’s the name by which his fiancée, Elsa Jorgenson, knew him when she died, killed by a pair of goons Driver swiftly dispatched. But everyone outside Elsa’s family (“we are your family,” her father mournfully tells him) still calls him Driver. It’s presumably Driver, not Paul West, that the men sent to follow him are interested in. Acquiring an innocuous-looking Fairlane 500 and tweaking its engine, Driver begins to make more and more adventurous forays outside Phoenix, where he’s settled. He shares portentous conversations with his hardheaded buddy Felix and his screenwriter friend Manny. He hooks up with law student Stephanie Cooper, whose ex-cop father Bill is sitting in a nursing home indulging in even more cryptic exchanges with ex–Special Forces visitor Wendell. He takes a meeting with self-anointed problem solver James Beil, who hints that Driver’s problems may be closely akin to his own. He works his way up the food chain to post-Katrina carpetbagger Gerald Dunaway and big wolf Bennie Capel in a search for whoever’s sent the interchangeable guys who’ve been dogging his tracks. All the while, Sallis (The Killer Is Dying, 2011, etc.) is using his mouthpieces to dispense nonstop nuggets of existential wisdom (“We think we make choices. But what happens is the choices walk up, stand face to face with us, and stare us down”) that both prepare and compensate for the inconclusiveness of the plot.

The noir formula readily accommodates Sallis’ mannered dialogue. Even so, most readers will feel a jarring split between the ostensibly thrilling tale and the downbeat commonplaces that punctuate it, or vice versa.

Pub Date: April 3, 2012

ISBN: 978-1-4642-0010-6

Page Count: 158

Publisher: Poisoned Pen

Review Posted Online: Feb. 20, 2012

Kirkus Reviews Issue: March 1, 2012

Did you like this book?

No Comments Yet

A strange, subtle, and haunting novel.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Did you like this book?

No Comments Yet

When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

No Comments Yet
more