An uneven novel with a split personality, one-half of which is worthwhile.

CARPENTER'S BLUFF

In Sanders' debut, a late-in-life coming-of-age novel, a 33-year-old lawyer tries to escape the traumatic events of his childhood.

“I’m done with the past,” says Hank Anawatty. “I don’t think the past is done with you,” Hank’s friend Daniel Rosenthal replies. Readers meet Hank in 1987, during his first and only therapy session. He’s been fired from his job at a law firm for drinking, and his girlfriendhas mysteriously disappeared. When his therapist probes him about his childhood, Hank replies, “There is no relationship between that period of my life and my current problems.” However, readers later learn that Hank’s father has a terrible temper and is overly critical; that his mother died of Pick’s disease, a degenerative brain ailment, while he was young; that his first love dumped him; and that a childhood friend drowned in front of him. Still, Hank insists, “it did not affect me.” Yet his past keeps cropping up—even in dreams—and demands a reckoning. Sanders jumps between scenes set in 1987 and scenes further in Hank’s past; the latter are told in present tense, reinforcing the idea that those long-ago days are still very present to Hank. In fact, his past concerns feel more real and pressing: what will happen to Hank’s friendships when everyone parts ways for college? Will Hank find direction in life? Will he acknowledge his mother’s illness? The 1980s sections, however, are muddled by improbable legal cases, a subplot involving missing jewelry, and references to angels and past lives, among other elements.The only thing that truly links the various sections together is Hank’s stubborn refusal to acknowledge the emotional burden he bears; much of the rest of the action feels like filler, meant to ramp up the intrigue. Although many important events are only revealed in conversation after the fact, the scenes that Sanders does depict are well-drawn and sometimes approach moments of real insight regarding guilt and suffering.

An uneven novel with a split personality, one-half of which is worthwhile.

Pub Date: Oct. 20, 2017

ISBN: N/A

Page Count: 284

Publisher: Amazon Digital Services

Review Posted Online: July 8, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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