A thorough, engaging work whose arguments would prove more persuasive were we not living in an era of such fierce...
The author of A Year in the Life of William Shakespeare: 1599 (2005) chronicles the emergence of doubts about the playwright’s identity and speculates about the assumptions and motives of the principal doubters.
Shapiro (English/Columbia Univ.) is convinced that William Shakespeare of Stratford-upon-Avon wrote the plays, but he waits until the penultimate chapter to summarize his evidence. The author’s generally dispassionate, scholarly treatment will convince few doubters, for as he notes, “[p]ositions are fixed and debate has proved to be futile or self-serving.” Shapiro begins with an account of a late-18th-century fraud perpetrated by William-Henry Ireland, who forged documents in Shakespeare’s hand, including the manuscript of King Lear, then charts the growth of the notion of Shakespeare-as-literary-deity. This led, he argues, to the belief that the playwright must have been someone who possessed a superior education, was intimate with aristocrats and royals, had traveled extensively and owned a vast library—all of which exclude the man from Stratford. Early candidates ranged widely, but it was Delia Bacon who advanced the cause of Francis Bacon, a choice who attracted support from Nathaniel Hawthorne, Mark Twain, Helen Keller and other notables. John Thomas Looney’s “Shakespeare” Identified (1920) proposed the current champion—Edward de Vere, the 17th Earl of Oxford—whose legions have swollen, says Shapiro, because of sympathetic print and electronic journalists, the Internet and the recent accommodations of mainstream publishers. What has also propelled the surge is the Oxfordians’ belief that the works must have arisen from the playwright’s personal, firsthand experience. Shapiro sharply challenges this belief and convincingly demonstrates that it would have baffled Elizabethans and Jacobeans—not to mention that it would have ignored the power of a writer’s imagination. The author bases his own conviction on the documentary evidence that he summarizes near the end.
A thorough, engaging work whose arguments would prove more persuasive were we not living in an era of such fierce anti-intellectualism and pervasive conspiracy theory.Pub Date: April 6, 2010
ISBN: 978-1-4165-4162-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Dec. 27, 2010
Kirkus Reviews Issue: Jan. 1, 2010
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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