by James Shapiro ‧ RELEASE DATE: April 6, 2010
A thorough, engaging work whose arguments would prove more persuasive were we not living in an era of such fierce...
The author of A Year in the Life of William Shakespeare: 1599 (2005) chronicles the emergence of doubts about the playwright’s identity and speculates about the assumptions and motives of the principal doubters.
Shapiro (English/Columbia Univ.) is convinced that William Shakespeare of Stratford-upon-Avon wrote the plays, but he waits until the penultimate chapter to summarize his evidence. The author’s generally dispassionate, scholarly treatment will convince few doubters, for as he notes, “[p]ositions are fixed and debate has proved to be futile or self-serving.” Shapiro begins with an account of a late-18th-century fraud perpetrated by William-Henry Ireland, who forged documents in Shakespeare’s hand, including the manuscript of King Lear, then charts the growth of the notion of Shakespeare-as-literary-deity. This led, he argues, to the belief that the playwright must have been someone who possessed a superior education, was intimate with aristocrats and royals, had traveled extensively and owned a vast library—all of which exclude the man from Stratford. Early candidates ranged widely, but it was Delia Bacon who advanced the cause of Francis Bacon, a choice who attracted support from Nathaniel Hawthorne, Mark Twain, Helen Keller and other notables. John Thomas Looney’s “Shakespeare” Identified (1920) proposed the current champion—Edward de Vere, the 17th Earl of Oxford—whose legions have swollen, says Shapiro, because of sympathetic print and electronic journalists, the Internet and the recent accommodations of mainstream publishers. What has also propelled the surge is the Oxfordians’ belief that the works must have arisen from the playwright’s personal, firsthand experience. Shapiro sharply challenges this belief and convincingly demonstrates that it would have baffled Elizabethans and Jacobeans—not to mention that it would have ignored the power of a writer’s imagination. The author bases his own conviction on the documentary evidence that he summarizes near the end.
A thorough, engaging work whose arguments would prove more persuasive were we not living in an era of such fierce anti-intellectualism and pervasive conspiracy theory.Pub Date: April 6, 2010
ISBN: 978-1-4165-4162-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Dec. 27, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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