The long-awaited climax, though heart-rending, is too anticlimactic to resolve the knotty problems the story has posed. But...

TRANSGRESSION

Slow-motion calamity awaits a girl in occupied France who falls in love with a member of the occupying army.

Adele Georges is only looking for news of her father, a Popular Front organizer who’s vanished from Arras, where he served in the medical corps. Manfred Halder, the sympathetic clerk who tries to help her get information, is only looking for a separate peace that doesn’t involve combat. But Rouen in 1941 is neither the time nor the place for these star-crossed lovers. For three years Adele struggles to keep her affair from both the Gestapo and her brother René, who’d think nothing of killing the German corporal who seduced his sister. The Allied invasion of 1944 promises liberation for her country but a fresh round of misery for Adele, reviled as a “horizontal collaborator” and torn from her family, home and lover, who’s been shipped to the Eastern Front. Nichol (Midnight Cab, 2004) presents the can’t-miss melodrama of Adele’s futile search for Manfred and her suffering as she caroms from one horror story to the next with an eye as sensitive to petty humiliations as to life-changing catastrophes, and the result is an odyssey as piercing in its details as it is familiar in its outline. Interspersed flash-forwards to the little town of Paris, Ontario, in 1946, add an additional layer of doom with the discovery of a human finger, then the decaying corpse it belongs to. Who is the man who’s been shot execution-style, and how is his fate connected to Adele’s? Suspense mounts as local police chief Jack Cullen makes the obligatory round of inquiries and Adele’s marriage to a troubled Canadian veteran draws the two stories inexorably together.

The long-awaited climax, though heart-rending, is too anticlimactic to resolve the knotty problems the story has posed. But Nichol makes a persuasive case that it couldn’t possibly have done so no matter what.

Pub Date: Sept. 22, 2009

ISBN: 978-0-06-178231-2

Page Count: 352

Publisher: Perennial/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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