by James W. Nichol ‧ RELEASE DATE: Sept. 22, 2009
The long-awaited climax, though heart-rending, is too anticlimactic to resolve the knotty problems the story has posed. But...
Slow-motion calamity awaits a girl in occupied France who falls in love with a member of the occupying army.
Adele Georges is only looking for news of her father, a Popular Front organizer who’s vanished from Arras, where he served in the medical corps. Manfred Halder, the sympathetic clerk who tries to help her get information, is only looking for a separate peace that doesn’t involve combat. But Rouen in 1941 is neither the time nor the place for these star-crossed lovers. For three years Adele struggles to keep her affair from both the Gestapo and her brother René, who’d think nothing of killing the German corporal who seduced his sister. The Allied invasion of 1944 promises liberation for her country but a fresh round of misery for Adele, reviled as a “horizontal collaborator” and torn from her family, home and lover, who’s been shipped to the Eastern Front. Nichol (Midnight Cab, 2004) presents the can’t-miss melodrama of Adele’s futile search for Manfred and her suffering as she caroms from one horror story to the next with an eye as sensitive to petty humiliations as to life-changing catastrophes, and the result is an odyssey as piercing in its details as it is familiar in its outline. Interspersed flash-forwards to the little town of Paris, Ontario, in 1946, add an additional layer of doom with the discovery of a human finger, then the decaying corpse it belongs to. Who is the man who’s been shot execution-style, and how is his fate connected to Adele’s? Suspense mounts as local police chief Jack Cullen makes the obligatory round of inquiries and Adele’s marriage to a troubled Canadian veteran draws the two stories inexorably together.
The long-awaited climax, though heart-rending, is too anticlimactic to resolve the knotty problems the story has posed. But Nichol makes a persuasive case that it couldn’t possibly have done so no matter what.Pub Date: Sept. 22, 2009
ISBN: 978-0-06-178231-2
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
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BOOK REVIEW
by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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