by James Watson illustrated by James Watson ‧ RELEASE DATE: N/A
A haunting and beautiful tale of friendship, forgiveness, and forgetting.
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Two men—a wayward teenager and a weathered priest—share their demons in this debut novel.
Jonathan, a high school student from Oregon, knows that there has to be more for him than a low-paying job and a dysfunctional family. Donald is an untraditional member of the clergy—he drinks, smokes, and fixes motors of all kinds. Donald didn’t begin as a man of God. He only became a priest because he killed the mobster ultimately responsible for his son’s death. Jonathan moves to Texas with a desire for manual labor; he wants to work on oil rigs (“Jonathan had found his unlikely way south from the pioneer northwest, touched by the infinite sky and still raw with wilderness. Mountains where men do not rule”). He finds Donald, and the two, each suffering in his own way, form an unlikely bond. As both men’s stories fly through the years, their unease and obvious respective neuroses ratchet higher and higher—Jonathan falls for his boss’s daughter, who will never love him, and Donald fantasizes about murdering the man who actually killed his son—bringing the work to an end that is tense, poetic, and heart-stopping. In this novel (funded, incidentally, by a Kickstarter campaign), forgiveness remains elusive. A subtle and yet masterly writer, Watson eschews the conventions of everyday prose (capitalization, punctuation, etc.) for his own style. Though it’s a bit confusing at first, it’s best to just go along with the author on his deeply layered and heartbreaking ride. The story is told through a sequence of vignettes—a Mexican restaurant on Cinco de Mayo night, a graduation party, a trip to the hardware store—and each one complexly falls atop the next, pushing both the tension and the story faster until it bursts, albeit gorgeously, in a final climax. The end is both gut-wrenching and nearly addictive, as if the reader couldn’t possibly take another bite and yet still craves more. Watson’s prose vacillates between short, choppy dialogue and long, luxuriating sentences, as though he couldn’t decide which skill to show off. One misstep is the book’s occasional illustrations—they distract from the lushness of the words on the page. Watson’s talent is obvious, and this arresting work should stay with readers, passages popping up like bubbles when they least expect it.
A haunting and beautiful tale of friendship, forgiveness, and forgetting.Pub Date: N/A
ISBN: 978-0-692-51020-9
Page Count: 304
Publisher: Green Gate Press
Review Posted Online: Feb. 22, 2016
Kirkus Reviews Issue: April 1, 2016
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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