Vividly atmospheric settings steal the show from Webb’s meandering story as Condley visits old soldiers from both sides of...

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LOST SOLDIERS

The author of Fields of Fire (not reviewed), one of the best Vietnam War novels ever, sends a fictional ex-Marine to contemporary Vietnam to hunt down a murderous deserter.

Webb, a former Marine and secretary of the Navy, offers a heartbreaking portrait of modern Vietnam in the character of Dzung, a highly skilled soldier who lost his family fighting the communists and now makes a paltry living as a Saigon bicycle cabbie: home is a miserable shack where he lives with his young wife and five children, one of whom is dying of an infectious disease. Dzung is a close friend of Brandon Condley’s, a former Marine who stayed in Southeast Asia after the war as a security consultant and freelance trouble-shooter for the CIA. Condley blows into Saigon with Hanson Muir, a pompous but well-meaning forensic anthropologist searching for the remains of American soldiers. When Dzung learns that the bones of Muir’s latest find are not those of the American deserter Theodore Deville, a homicidal turncoat Marine who liked to sever the hands of his victims and who led an ambush on Condley’s platoon during the war, he is forced by a member of the Vietnamese security to begin training as an assassin. Condley is sure that Deville is still alive, and he uses his almost too cordial friendship with retired Communist Intelligence operative Colonel Pham (Pham’s daughter, Van, has a crush on Condley) to dig up clues (and another body) in a forbidding hilltop village; a Soviet observer’s seedy Moscow apartment; and in some sleazy Bangkok dives, where Deville might be working as a drug smuggler with the Vietnamese Communist regime. Meanwhile, Dzung wonders whether he’ll be able to kill his best friend Condley when the inevitable command comes.

Vividly atmospheric settings steal the show from Webb’s meandering story as Condley visits old soldiers from both sides of the conflict, united in their inexplicable love for Vietnam.

Pub Date: Sept. 4, 2001

ISBN: 0-553-80214-3

Page Count: 384

Publisher: Bantam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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