A compassionate tribute to hate-crime victims.
Currier (The Forever Marathon, 2013, etc.) explores Matthew Shepard’s murder in richly empathetic fiction.
Currier recently unearthed his manuscript, written in the wake of Matthew Shepard’s death in 1998. Though set in a small town in the South, “This story could happen anywhere.” Rick and A.J. meet Danny, a gay college student, in a bar and beat him in their truck before leaving him for dead, tied to a fence post. Subsequent chapters bounce between back story and aftereffects, deftly interspersing hospital and police station scenes with vignettes from Danny’s everyday life. After a roadside rape and attempted suicide, Danny wonders how to be a homosexual in the Bible Belt. It is simple to hook up with strangers but impossible “To be out, open, romantically gay in a small town like this.” Written in powerful, choppy sentences and consciously patterned after screenplays and true-crime stories, Currier’s novel is told in the present tense, shifting among the perspectives of the many characters involved. Effective litanies of phrases beginning with “He will not”—“He will not see the snow. But he will feel the cold, his arms numb”—contrast Danny’s carefree activities on the day before the crime with his current incapacitation, revealing the legacy he will not live to see. One bravely cinematic chapter traces a blood sample’s journey to the laboratory. Technical and emotive languages are given equal importance: “his neural repatternings are transforming him into pure spirit”; “Cords snake around chairs, looking for outlets.” Currier’s sympathy also extends to the perpetrators, as he uncovers sexual traumas in their pasts. In a sensitive juxtaposition of Christian responses to homosexuality, the openness of Rev. Fletcher combats the intolerance of Rev. White, who brings his “God Hates Fags” message to town to boycott Danny’s funeral. Readers might find it difficult to keep the many characters straight, especially since most chapters simply open with “He” or “She,” but the large cast shows how widely a crime’s ripples extend. “The story mushrooms, grows branches” and eventually affects us all,” Currier writes. In 1998, he felt “the crime was analyzed and politicized but oddly not humanized”; here he imbues it with human warmth.
A compassionate tribute to hate-crime victims.Pub Date: Oct. 9, 2014
ISBN: 978-1937627201
Page Count: 356
Publisher: Chelsea Station Editions
Review Posted Online: Sept. 9, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
