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Based on a True Story

An involving, sentimental yarn of love, secrets, and relationships.

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Four aging, gay male friends reunite over a Thanksgiving holiday, unearthing hidden pasts and a smoldering tragedy in Currier’s (A Gathering Storm, 2014, etc.) novel.

The author’s storytelling gifts are on full display in this tale of melodramatic entanglements between a quartet of 40-something friends as they spend a holiday reminiscing at a bucolic North Carolina mountain cabin. The country setting seems to be just what Scott and his younger partner, Aiden, need, and hosts Tom and Harley welcome them with lively conversation about coming out, old boyfriends, their past lives as college students in the big city, the downsides of aging, and their separate attempts to make peace with the loss of close friends from AIDS (the “ghostly baggage strapped to our backs”). Tom, the book’s narrator, shares his personal story of living through the bleak mid-1980s in New York City as a struggling writer, and of his longtime friendship with Scott, whom he met as a postgrad and dated. They “became better friends than lovers, kindred expatriates of unaccepting Southern families.” Things begin to get dicey when a mutual friend named Neal, a pal from Tom’s college days, is mentioned by Aiden, Scott’s lover and a die-hard Southern California urban dweller with “a clear sense of drama.” The talk reveals Neal’s abusive relationship with Aiden’s nephew Perry, which leads to a vicious plot involving obsession and murder-suicide. The violent, unsettling truth forces Tom to begin writing again and fully embrace the love he feels for Harley. Thankfully, Currier’s slim, satisfying novel isn’t overwritten or mired in exposition. Instead, it gets to the heart of the quartet’s issues quickly, creating a swift, dramatic read with plenty of poignancy regarding the plight of gay men in the age of AIDS. Fans of interpersonal dramatics will find much to savor in Currier’s deceptively simple narrative as intimate histories and close friendships mingle with explosive results. No one emerges from the mountain cabin unscathed.

An involving, sentimental yarn of love, secrets, and relationships.  

Pub Date: Nov. 3, 2015

ISBN: 978-1-937627-04-1

Page Count: 158

Publisher: Chelsea Station Editions

Review Posted Online: Oct. 26, 2015

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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