An exuberant fantasy that earnestly explores its teen protagonist’s problems.


This debut YA novel tells of a family coping with a mother’s firm belief that she’s a mermaid.

In Columbus, Nebraska, 16-year-old Emily Parker is driving with her mother, Nora, in the passenger seat. When another car rear-ends them, her mom hits her head. Soon after Nora is discharged from the hospital, she becomes frantic because, for some reason, she thinks she’s missing a tail—one that was “aqua and turquoise with flecks of gold in the sunlight.” She further insists that if she isn’t returned to the Pacific Ocean, she’ll die. There’s a long waiting list at the hospital, so Emily’s dad, Bart, does all he can to comfort Nora at home, including pretending to be the dashing pirate that his wife now believes him to be. Emily’s 6-year-old sister, Amy, loves Nora’s transformation, but the teen loathes it—and the additional responsibilities that it entails. She now has to drive Nora to therapy and swimming sessions when she’d rather work with her school crush, José Hernandez, on a Shakespeare project. As the family’s life becomes more hectic, other changes occur: Nora loses quite a bit of weight and rekindles her relationship with Bart. However, when her personality change is imitated by others and becomes a phenomenon, Emily tries a new tactic to try to bring her mom back to her old self. Author Lilo’s YA fantasy is hilarious and touching, by turns, and it perfectly blends its teenage struggles with grown-up drama as it develops its characters. Nora, a no-nonsense Child Protective Services attorney, is described as never being able to relax because “She was too busy saving the world”; she’s also shown to have raised Emily with an awareness of her privilege, yet the girl “rarely [feels] comfortable” in her own skin. The author also weighs in on aspects of social media, which amplifies Nora’s problems. Lilo provides a memorable supporting cast throughout, including Emily’s rule-breaking grandmother and her 20-year-old swim coach, Tia. It all builds toward a suspenseful finale that respects the surrealism of the plot and the integrity of the characters.

An exuberant fantasy that earnestly explores its teen protagonist’s problems.

Pub Date: June 29, 2018

ISBN: 978-1-72173-443-6

Page Count: 250

Publisher: CreateSpace

Review Posted Online: Oct. 12, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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