by Jamie A. Swenson ; illustrated by Chiara Fedele ‧ RELEASE DATE: Sept. 1, 2018
Soothing at bedtime yet with enough substance for an autumn group storytime.
A fluttering line of autumn leaves flying across every double-page spread announces the wind’s presence.
Autumn Wind is a character here, inviting all the forest animals to the “annual Windfall Ball.” The event is not just a night’s entertainment, but the opportunity for the animals to gather the food they each need for the long winter ahead. As Swenson explains to adults at the end, a “windfall” can be “fruit or other crops blown down by the wind” or “an unexpected gift or good fortune.” As part of the harvest season, in the northern woods of the United States, the author’s home, the wind does its natural part in bringing down foods that can be eaten, or gathered and stored according to their needs, by the region’s animals, some hibernating, some able to live through harsh winters, and some who migrate to southern areas. This fanciful depiction in rhyme of the invisible wind that affects many animals with its hospitality scans well. “Then Autumn Wind began to dance— / It breezed, / it blew, / it puffed, / it pranced. / Beckoning both big and small / To join in step at the Windfall Ball.” There are plenty of animals to spot in the soft, yet vibrant mixed media illustrations that combine the use of watercolor, tempera, and colored pencils with digital retouching: rabbits, bears, raccoons, elk, and quail, among them. This satisfying book for the fall season emphasizes the interconnectivity of nature.
Soothing at bedtime yet with enough substance for an autumn group storytime. (Picture book. 4-6)Pub Date: Sept. 1, 2018
ISBN: 978-1-5124-9803-5
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Margarita del Mazo ; illustrated by Silvia Álvarez ‧ RELEASE DATE: Nov. 10, 2015
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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