by Jan Greenberg & Sandra Jordan ‧ RELEASE DATE: Sept. 1, 2000
Art history specialists Greenberg and Jordan (Chuck Close, Up Close, 1998, etc.) unite again for an exciting, free wheeling mix of biography and architectural primer, taking readers from the outside to inside the life and work of the acclaimed yet controversial bad boy of international architecture—Frank O. Gehry. Now in his early 70s, he gained international recognition in 1997 when his astounding Guggenheim Museum opened in Bilbao, Spain. That building, with its springy titanium skin and unorthodox organic form (in which “hardly a straight line exists”), has transformed a small Basque city into an international destination with over one million visitors a year. More important, the computer-assisted and truly space-age design (using software originally used in the French aerospace industry) of this “silver dream machine” has changed the practice of architecture—utterly. Gehry’s work is playful, curvilinear, and site-specific, incorporating an unorthodox mix of unconventional space-age materials like highly reflective titanium as well as glass, steel, and limestone. Acknowledging that “life is chaotic” he makes buildings that reflect it. Projects explored include: the “shocking” renovation of his own Santa Monica tract house (featuring metal, chain-link fence, and unpainted plywood); furniture designs realized in corrugated cardboard and wood laminates; Colorcore fish lamps; the “binoculars”-shaped building in Venice, California; and the arresting towers in Prague known as “Fred and Ginger . . . as if one tower were a dancer being spun by another.” Oversized and handsome, the book’s design communicates volumes; it’s an eclectic mix of fonts and colors, enlivened with ghost images, sidebars, drawings, and photos. (glossary, bibliography, list of building locations) (Nonfiction. 8-12)
Pub Date: Sept. 1, 2000
ISBN: 0-7894-2677-3
Page Count: 48
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
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by Jan Greenberg & Sandra Jordan ; illustrated by Hadley Hooper
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by James Patterson & Kwame Alexander ; illustrated by Dawud Anyabwile ‧ RELEASE DATE: Oct. 5, 2020
A stellar collaboration that introduces an important and intriguing individual to today’s readers.
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Two bestselling authors imagine the boyhood of the man who became the legendary boxing icon Muhammad Ali.
Cassius was a spirited child growing up in segregated Louisville, Kentucky. He had a loving home with his parents and younger brother, Rudy. Granddaddy Herman also was an important figure, imparting life lessons. His parents wanted him to succeed in school, but Cassius had difficulty reading and found more pleasure in playing and exploring outdoors. Early on, he and Rudy knew the restrictions of being African American, for example, encountering “Whites Only” signs at parks, but the brothers dreamed of fame like that enjoyed by Black boxer Joe Louis. Popular Cassius was especially close to Lucius “Lucky” Wakely; despite their academic differences, their deep connection remained after Lucky received a scholarship to a Catholic school. When Cassius wandered into the Columbia Boxing Gym, it seemed to be destiny, and he developed into a successful youth boxer. Told in two voices, with prose for the voice of Lucky and free verse for Cassius, the narrative provides readers with a multidimensional view of the early life of and influences on an important figure in sports and social change. Lucky’s observations give context while Cassius’ poetry encapsulates his drive, energy, and gift with words. Combined with dynamic illustrations by Anyabwile, the book captures the historical and social environment that produced Muhammad Ali.
A stellar collaboration that introduces an important and intriguing individual to today’s readers. (bibliography) (Biographical novel. 8-12)Pub Date: Oct. 5, 2020
ISBN: 978-0-316-49816-6
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown and HMH Books
Review Posted Online: Aug. 3, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by James Patterson & Keir Graff ; illustrated by Alan Brown
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by James Patterson & Ellen Banda-Aaku with Sophia Krevoy
by Jacqueline Woodson ‧ RELEASE DATE: Aug. 28, 2014
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)
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A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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by Jacqueline Woodson ; illustrated by Rafael López
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