A poignant, engrossing story of two women whose bond survived a war.
In Griffith’s memoir, two women, one American and the other Vietnamese, share the story of their unlikely friendship.
Reflecting on her half-century friendship with Nguyễn thi Mai, the author notes that the pair “grew to love and understand each other despite [their] countries wanting [them] to be enemies.” Griffith first arrived in Vietnam with her then-husband (David) during the height of the war in 1970 as a co-director of a rehabilitation facility run by the American Friends (Quaker) Service Committee. The rehab center was located in Quảng Ngãi City, an area that was nominally controlled by the American and South Vietnamese militaries but was actually, per the author, “a hotbed of Viet Cong activity” situated just 5 miles from My Lai (the site of the infamous massacre of civilians by U.S. forces). It was there that Griffith first met Mai, a wartime casualty who had lost both of her legs and was at the facility recovering from surgery. Mai was subsequently hired to work for the AFSC, where she became Griffith’s colleague and friend. As the memoir reveals, Mai’s entire family was sympathetic to the communist revolutionary forces (labeled Viet Cong by Americans). The book intriguingly intertwines Griffith’s recollections—which include accounts of anti-war work in America alongside activist and actress Jane Fonda—with Mai’s version of events, which is featured in textbox vignettes interspersed throughout. Both provide rare perspectives of women during the war, and both are remarkably candid. Griffith does not shy away from describing her ex-husband’s affairs, while Mai provides a Vietnamese point of view often absent in American accounts of the war. She describes the numerous men in her family killed by Americans, as well as the ways in which revolutionaries like herself masked their true loyalties; her fiancé, for instance, enrolled in a Catholic high school to obscure his sympathies (many Vietnamese Catholics were loyal to the West). The captivating text is accompanied by a treasure-trove of photographs, historical ephemera, and reproductions of correspondence that chronicle the duo’s friendship and wartime experiences.
A poignant, engrossing story of two women whose bond survived a war.Pub Date: March 8, 2025
ISBN: 9798888246115
Page Count: 224
Publisher: Koehler Books
Review Posted Online: Aug. 30, 2025
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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