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1 COOKIE, 2 CHAIRS, 3 PEARS

NUMBERS EVERYWHERE

From the Jane Brocket's Clever Concepts series

Brocket once again presents a pleasingly huge variety of objects, from the mundane to the fantastic and everything in...

Brocket continues her Clever Concepts series with this look at numbers from one to 20.

From ordinary objects and shots of the numbers found in the world to cookie cutouts of the numbers and graffiti on a wall, the brightly colored and patterned photographs take center stage. “We can find four things / that are the same. / Four that are different. / Or two of each.” The photos show a “4” on a door, four identical striped beach chairs, four different-colored triangle pennants on a string and a checkerboard-patterned slice of cake. Clever use of embroidery melds the real and the sewn on some pages. But readers need to have a firm grasp of the slippery concept of numbers-vs.-numerals once they get into the double digits so as to avoid some headaches and confusion. The page devoted to the number 10 also uses number-shaped cookies, so there are actually 11 cookies; Brocket states that “There are twelve / numbers on the clock”; and, really jarring, the end copyright page includes a picture of the actual cookie cutters from 0 through 8—6 must double as 9. But with an adult to guide children, the pictures should help them parse the distinctions.

Brocket once again presents a pleasingly huge variety of objects, from the mundane to the fantastic and everything in between. (Counting book. 4-6)

Pub Date: Oct. 1, 2013

ISBN: 978-1-4677-0232-4

Page Count: 32

Publisher: Millbrook

Review Posted Online: Aug. 27, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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