This just doesn’t stand up to geometrical scrutiny.
The Clever Concepts series gets a new entry that teaches readers about two- and three-dimensional shapes.
As with previous titles, brilliant color photographs provide children with examples of the concepts being presented, all of them emphasizing that shapes are all around us, waiting to be discovered. The first of two loose sections looks at “flat” shapes—circles, ovals, squares, rectangles, triangles, diamonds, and a brief mention of pentagons, hexagons and octagons—the second at “solid” shapes—spheres, cylinders, cubes, cones, rings and eggs. But this latest entry has some troubling problems. While the author uses good vocabulary in some areas, in others, she oversimplifies—for example, never using the terms 2-D or 3-D—or provides what could be described as half-definitions: A sphere is a “solid circle,” while a cylinder “has circles at each end and straight sides in between.” In at least one case, vocabulary is erroneous: A life-saving ring in a picture is called a life jacket within the text. Furthermore, her pictures are not always the best examples. Bricks are great rectangles, but the pattern depicted shows three bricks stuck together, which make a square. She also says that “chocolate candies are all spheres,” showing a cake decorated with spherical candies, but also with M&M’s and chocolate discs, which are hardly spheres.
This just doesn’t stand up to geometrical scrutiny. (Informational picture book. 4-8)Pub Date: Oct. 1, 2012
ISBN: 978-0-7613-4611-1
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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