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RIDDLES IN PROVENCE

A skillful blend of passion, mystery, politics and history, set in a perfectly rendered Provence.

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A woman in an unraveling marriage tries to solve her uncle’s murder.

When Michèle Trowel learns that her husband has been cheating, she leaves their home in Boston and returns to the place where she’s always felt most comfortable—her aunt and uncle’s house in her native Provence, France. Unfortunately, she arrives at the house just in time to see Uncle George’s body being wheeled out. At first it appeared as if his weak heart had finally given out, but by sheer chance the hospital discovers that someone had switched his heart medication with something lethal. When Aunt Suzanne reports that someone has stolen a document relating to George’s history as a member of the resistance during World War II, suspicion for the murder falls on an unknown Nazi collaborator who was responsible for the deaths of many members of George’s unit, and who would therefore go to great lengths to conceal his identity. Armed with only the sketchiest information, Michèle sets out to uncover the killer and, in the process, locks horns with the U.P., an ultra right-wing nationalist party currently ascendant in the region. Meanwhile, Michèle must deal with the situation that brought her to Provence in the first place—the dissolution of her marriage. With her well-crafted prose, Robinson masterfully invokes her setting and fills it with a varied cast of fully fleshed characters. Amid the romance and intrigue lies a compelling political dissertation, describing the current conflicts between the left and the right in France and skillfully connecting it to its roots in the turbulent days of the second World War. Her main character falls squarely on the left, so Robinson does an especially skillful job of skewering the far right (her blowhard fictional nationalist Le Plume sounds an awful lot like the real right-wing politician Jean-Marie Le Pen). But rarely does the book sound preachy, and the well-conceived plot is always in charge of the narrative.

A skillful blend of passion, mystery, politics and history, set in a perfectly rendered Provence.

Pub Date: July 5, 2011

ISBN: 978-1460974773

Page Count: 205

Publisher: CreateSpace

Review Posted Online: July 20, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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