Another finely detailed, shrewdly observed and unsentimentally moving portrait of English life from two-time Whitbread Award...
Originally published in 1978, this Booker short-listed novel chronicles fraught interactions between and within the Marsh and Frayling families during the summer of 1936.
Because her mother has just had another baby, eight-year-old Margaret Marsh is allowed a special treat on Wednesdays: a trip to the seaside and surrounding woods with Lydia, the family’s maid. There isn’t much fun in the Marsh household, because they belong to a strict fundamentalist sect, the Primal Saints. Elinor Marsh converted when she married Kenneth on the rebound from a romance with Charles Frayling, whose snobbish mother forbade her Cambridge-educated son to marry a dustman’s daughter. Mrs. Frayling is dying now; Charles and his sister Binkie, estranged from her since the fight over Elinor, live in a house of their own not too far from the family manor. Gardam (The Man in the Wooden Hat, 2009, etc.) slips in and out of their various consciousnesses to delineate a tangled set of relationships. For all his religious fervor, Kenneth lusts after Lydia, tough-as-nails product of an abused childhood. Elinor, now much more self-confident than the shy working-class girl who adored Charles, flees from her husband to the Frayling siblings, but Charles has long since realized he’s not really interested in sex of any kind. Observing all this mystifying adult activity is intelligent, angry Margaret, whose reckless walk along the rocks as the tide sweeps in provides the novel’s climax. As usual, Gardam requires very few pages to delineate an entire world of class-ridden prejudice and the blighting effect it has on every character. Yet each one is so achingly vulnerable, and depicted with such empathy, that it’s a relief to be reminded in a final chapter set 12 years later that people are surprisingly resilient and can make the best of even the most unpromising circumstances.
Another finely detailed, shrewdly observed and unsentimentally moving portrait of English life from two-time Whitbread Award winner Gardam.Pub Date: Nov. 1, 2010
ISBN: 978-1-933372-823-2
Page Count: 224
Publisher: Europa Editions
Review Posted Online: Aug. 24, 2010
Kirkus Reviews Issue: Sept. 15, 2010
IN THE NEWS
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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