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GILLESPIE AND I

Elegant novel of love, loss and redemption among the Victorians and Caledonians.

Harriet Baxter is a hither-and-thither kind of person, capable of getting where she needs to go, even if the mores of the time suggest that a 35-year-old woman should not properly be wandering off alone for “a sojourn to the magnificent spectacle that was said to bestraddle both banks of the River Kelvin.” Yet, once they’ve fled the pea-soup fog of London and seen the bright lights of Glasgow, how are you going to keep the lasses from such wanderings? Introduce love into the mix, and you stand a chance—and so Harris, who staked out Victorian Scotland as her home turf in her debut novel The Observations (2006), does. Once on the auld sod, Harriet—who narrates these events from a distance of half a century—saves a woman from choking on her dentures. That act draws her into the orbit of the woman’s family, which just happens to include a brilliant artist named Ned, whom Harriet instantly groks as a soulmate, if not necessarily a physical one: “His name is Gillespie, sir, and he’s already married,” she tells her stepfather about her newly kindled friendship. (On that point, how the Victorians managed to reproduce is a subject of mystery.) All this happens in a short span of pages, at the end of which Harris gives us to understand that things are not going to end well. Harris writes sensitively and in rich detail, whether conjuring up a Glaswegian streetscape or the elements of one of Ned’s compositions. The imbroglio that she conjures up for the Gillespies is something of a potboiler, involving white slavery, unlawful carnal knowledge and Satanism. Or perhaps not: as Harriet complains, “It is incredible what the newspapers are able to get away with printing.” The narrative holds up well to the very end, though the reader will have to have the ability to wend his or her way through the leisurely sentences appropriate to the time and place.    A fine evocation of a lost era, and without a false note.

 

Pub Date: Feb. 1, 2012

ISBN: 978-0-06-210320-8

Page Count: 528

Publisher: Perennial/HarperCollins

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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