THE STUDENT BODY

The tepid tale of a prostitution ring—courtesy of —Harvard,— the pseudonym adopted by four alums who’ve joined forces to serve up a novel set at their august alma mater. Toni Isaacs is a gung-ho reporter for the Crimson who gets a tip from an exotic dancer that Harvard students are moonlighting as prostitutes. Instantly and rather bizarrely obsessed with getting the story, Toni places an ad in a local paper touting an escort service staffed by students. She chats up the many callers who respond and hears rumors about an outfit called Class Ring, which proclaims its university ties by using Veritas-embossed condoms. Toni gets a call from a woman hinting that she wants work, but the caller is in fact from Dora Givens, one of the masterminds of Class Ring. She lures foolish Toni into a trap that culminates in Toni getting busted for solicitation, an episode that jeopardizes her standing at Harvard but strengthens her resolve to get the story. Under the guise of reporting on the company that Dora works for, she conspicuously drops her quarry’s name, after which she’s approached by a scruffy scientist who seems to want to leak something. But he disappears (is kidnaped?) before their scheduled meeting. A provocative picture pilfered from his mother’s garbage leads Toni to a bona-fide student hooker. When she subsequently discovers the dead body of one of her most handsome and charismatic classmates, his diary reveals that he too was a prostitute and that his secret lover was not only a popular professor but Dora’s partner in Class Ring. Intrepid Toni has unearthed the far-flung conspiracy. The calculated blend of Harvard ambiance and plentiful sex isn’t enough to make this effort fly, however workmanlike. Its characters are uniformly flat and unengaging, and its byzantine plot, while admirably coherent, is too busy and far- fetched to satisfy.

Pub Date: May 13, 1998

ISBN: 0-679-44858-6

Page Count: 368

Publisher: Villard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1998

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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