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THE STUDENT BODY

The tepid tale of a prostitution ring—courtesy of —Harvard,— the pseudonym adopted by four alums who’ve joined forces to serve up a novel set at their august alma mater. Toni Isaacs is a gung-ho reporter for the Crimson who gets a tip from an exotic dancer that Harvard students are moonlighting as prostitutes. Instantly and rather bizarrely obsessed with getting the story, Toni places an ad in a local paper touting an escort service staffed by students. She chats up the many callers who respond and hears rumors about an outfit called Class Ring, which proclaims its university ties by using Veritas-embossed condoms. Toni gets a call from a woman hinting that she wants work, but the caller is in fact from Dora Givens, one of the masterminds of Class Ring. She lures foolish Toni into a trap that culminates in Toni getting busted for solicitation, an episode that jeopardizes her standing at Harvard but strengthens her resolve to get the story. Under the guise of reporting on the company that Dora works for, she conspicuously drops her quarry’s name, after which she’s approached by a scruffy scientist who seems to want to leak something. But he disappears (is kidnaped?) before their scheduled meeting. A provocative picture pilfered from his mother’s garbage leads Toni to a bona-fide student hooker. When she subsequently discovers the dead body of one of her most handsome and charismatic classmates, his diary reveals that he too was a prostitute and that his secret lover was not only a popular professor but Dora’s partner in Class Ring. Intrepid Toni has unearthed the far-flung conspiracy. The calculated blend of Harvard ambiance and plentiful sex isn’t enough to make this effort fly, however workmanlike. Its characters are uniformly flat and unengaging, and its byzantine plot, while admirably coherent, is too busy and far- fetched to satisfy.

Pub Date: May 13, 1998

ISBN: 0-679-44858-6

Page Count: 368

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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