Amid a welter of window-dressing and a surfeit of repartee, the story gets lost in an overzealous and ultimately vain effort...
Faux 18th-century novel tandem-written by American history professors Lepore (Harvard Univ.; New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan, 2005, etc.) and Kamensky (Brandeis Univ.; The Exchange Artist: A Tale of High-Flying Speculation and America’s First Banking Collapse, 2008).
On the run from creditors in Edinburgh, Scottish portrait painter Stewart “Jamie” Jameson sets up shop in colonial Boston. His advertisement for an apprentice is answered by Fanny Easton, disguised as “Francis Weston.” The daughter of a prominent judge, Fanny/Francis fell from grace when her painting master got her pregnant. After the child was born dead (she thinks), her father disowned her, condemning her to the workhouse. But she’d learned something about art as well as dalliance from her teacher, and Jamie is struck by Weston’s talent. The duo earns renown as “face-painters,” numbering among their eager clients Samuel Bradstreet, an abolitionist and advocate for the cause of Liberty. When Bradstreet dies suddenly, the coroner determines that the cause was arsenic poisoning; Bradstreet’s slave Hannah, her daughter Phebe and husband Cicero are immediately suspected. Meanwhile, Jamie’s African friend Ignatius Alexander, an Oxford don turned fugitive slave, has surfaced and is hiding in the painter’s lodgings. After Cicero confesses to Bradstreet’s murder to save his wife and child, Alexander launches an inquiry to exculpate the slaves. The key is Bradstreet’s will, now missing, which frees Hannah and her child. Jamie, who bankrupted himself in Scotland to help Alexander, indebts himself further in the New World with a plan to send Weston to England to study with Joshua Reynolds. But his paternal attitude toward the boy is complicated by lust—which is puzzling, since like the rakes he’s supposed to resemble, Jamie’s heterosexuality is never in doubt. In an extended “explainer” scene, Alexander solves Bradstreet’s murder. The book veers vertiginously from Enlightenment-era satire to Lifetime-era family dysfunction in its humorless portrayal of Fanny’s villainous father.
Amid a welter of window-dressing and a surfeit of repartee, the story gets lost in an overzealous and ultimately vain effort to out-whack the wackiness of Shamela or Tristram Shandy.Pub Date: Dec. 9, 2008
ISBN: 978-0-385-52619-7
Page Count: 600
Publisher: Spiegel & Grau
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2008
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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