Several horses here are given such names as Nureyev, Lorenzo de Medici, and Ivan Boesky. If one named Jane Smiley ever shows...

HORSE HEAVEN

A fast-paced, fetchingly detailed, wide-angled view of the world of horse breeding-and-racing—and another lively illustration of Smiley's industrious literary work-ethic and gift for transmuting the products of her obviously extensive research into compelling fiction. 

The encyclopedic story—similar in structure and rhythm to such earlier Smiley successes as A Thousand Acres and the comic romp Moo—spans two years (1997–99) and various Kentucky, California, and foreign locales occupied and frequented by the performers, trainers, moneymen, and aficionados thrust together by their common passion for the sport of kings. West Coast multimillionaire Kyle Tompkins, for example, bankrolls the development of can't-miss racehorse Limitless, honed to competitive perfection by skilled trainer Farley Brown and Farley's ardent prot‚g‚e and assistant trainer Joy Gorham. Several other groupings of characters (human and animal) shed varying light—rather as in a Robert Altman film—on such rituals of the sport as auctioning horses, doctoring and “birthing” and betting on them, and, in several cases, seeking some form of ultimate communion or identification with them. Some of the more intriguing of Smiley’s many characters include adulterous Westchester County matron Rosalind Maybrick (and her petulant Jack Russell terrier Eileen), 60-ish free spirit Elizabeth Zada (who claims she can read horses' minds), preadolescent Audrey Schmidt (whose love for equine creatures may or may not stimulate similar feelings for teenaged jockey Roberto Acevedo, and—in the neatest surprise—veteran gelding Justa Bob (to whose impulses and even thoughts we are made privy), whose excellent track record and stud-worthiness fortuitously affect his life span. The anthropomorphism occasionally verges on feyness (“In reviewing his life after . . . [Justa Bob] developed a painful crack in his right hoof front wall . . . ). But there are few such missteps, and in general the story prances along right smartly. Several horses here are given such names as Nureyev, Lorenzo de Medici, and Ivan Boesky. If one named Jane Smiley ever shows up in the racing form, you might just want to bet the farm on her.

Pub Date: April 6, 2000

ISBN: 0-375-40600-X

Page Count: 576

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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