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THE RECEPTIONIST

AN EDUCATION AT THE NEW YORKER

For readers who can’t get enough New Yorker lore, an amiable view from the inside.

A nostalgic, wistful look at life inside one of America’s most storied magazines, and the personal and professional limbo of the woman who answered the phone.

Well before she became a teacher and biographer, Groth (English Emeritus/SUNY-Plattsburgh; Edmund Wilson: A Critic for Our Time, 1989, etc.) spent 21 years (1957–1978) behind the front desk at the New Yorker, taking messages, calming suspicious wives, babysitting and refusing John Berryman’s marriage proposals. The starry-eyed daughter of an alcoholic Iowa grocer, she arrived in Manhattan both educated and adorable, hoping for the byline that would buy her freedom. Instead, she had a series of disastrous romances and mostly became friends with the famous. Her steady lunch date was Joseph Mitchell, soon to become crippled by writer’s block; her thoughts on why he failed to deliver a great novel are intelligent and fascinating. Another friend was Muriel Spark, whom she recalls as both elegant and generous, if a questionable mother. Legendary editor William Shawn leaves her cold; she describes him as humorless and “sadomasochistic” toward writers. Despite her tendency toward clichés (“fame and fortune”; “it’s not who you are but who you know”), this bookish girl from flyover country who became a Mad Men–era hottie, and who found she had to leave this cozy nest in order to save herself, is very much an interesting character in her own right.

For readers who can’t get enough New Yorker lore, an amiable view from the inside.

Pub Date: June 26, 2012

ISBN: 978-1-61620-131-9

Page Count: 240

Publisher: Algonquin

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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