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SUSPENDED SENTENCE

A frank, earnest memoir of the difficulties of parenthood.

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Morgan recounts her struggles to mother a troubled man in this debut mental health memoir.

As a single mother of an adolescent boy, Morgan reminded herself to pay close attention, knowing Dylan—like all sons—would change as he grew older. It wasn’t until June of 2011—when the then-23-year-old Dylan was arrested for firing an illegal gun after a party and was then also found to be growing marijuana in his apartment—that she realized just how far he had drifted from the boy she knew. Morgan, a college professor, was at first horrified by the impending gossip sure to spread through the small conservative Kentucky town, but she began to consider the warning signs: Dylan’s struggles with bipolar disorder, his DUIs, his refusal to find a job. After some cajoling, Dylan agreed to enter a Drug Court program that would help him avoid his three felony charges, though he only had one shot. Any mistakes would have landed him in jail. To ensure that Dylan completed the program, Morgan realized she needed to change strategies—to be more understanding of her son’s mental health and addiction problems, while not being too lenient. Morgan was forced to also consider her own co-dependency and find a path through the minefield of motherhood to save both her son and herself. Morgan’s prose is ruminative and laden with imagistic language: “For a long time, while my son was very young, I thought he was a smaller version of Attila the Hun. I thought he had only three settings on his dial: brash, bold, and barbarian.” Dylan is a difficult, often infuriating figure, and Morgan confronts his issues (and her own) with candid, sometimes-painful self-awareness. Her accounts of the justice system and rehabilitation are illuminating, and while the details sometimes overwhelm, the reading experience manages to capture the immense frustration that she (and others) no doubt felt. If memoirs exist to depict how some navigate situations that others can’t imagine, this one is a great success.

A frank, earnest memoir of the difficulties of parenthood.

Pub Date: Oct. 15, 2019

ISBN: 978-1-63152-644-2

Page Count: 256

Publisher: She Writes Press

Review Posted Online: July 8, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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