GOYA

A PORTRAIT OF THE ARTIST

A fresh examination of one of the most significant artists in Spanish history.

Francisco Goya (1746-1828) began his studies in Zaragoza before moving to Madrid in 1775, where he would spend nearly 50 years as court painter for successive monarchs. In 1824, Goya retired to France, where he spent the last four years of his life. Many works about Goya’s life fail to fully explore how his art was shaped by family, friends, and travel. But as Tomlinson explains, recent discoveries, including a sketchbook used by the artist in Italy and in the years following his return to Spain, “justify a new consideration of Goya’s life.” The author, who has written widely on her subject, contends that his formative years in Zaragoza are often overlooked as a prologue to his later career. Zaragoza was a “source of memories and inspiration for his works,” including images invoking the “sacred and profane, reality and fantasy” that he witnessed in local celebrations. Furthermore, “Goya’s early familiarity” with patients in a mental hospital likely “aroused both compassion and mirth” and “might explain his deeply sympathetic representations of the insane in drawings executed many years later.” While other scholars view the onset of deafness as a downturn in Goya’s life, Tomlinson argues that his craft actually “blossomed in experimental works during the years to follow.” The author contends that the true turning point likely occurred a decade later, in 1803, following the death of a dear friend and decline of royal patronage. “Having witnessed the exile of patrons once powerful and political alliances come and gone…Goya now looked to his family and to patrons beyond the court, working to ensure his personal and professional legacy in an increasingly unstable world.” Tomlinson’s meticulous distillation of a voluminous number of parish records, drawings, notes, and letters is impressive, and her knowledge of and passion for Goya continually shine through in her writing, making for a fascinating and insightful reading experience.

A top-notch biography.

Pub Date: Sept. 15, 2020

ISBN: 978-0-691-19204-8

Page Count: 436

Publisher: Princeton Univ.

Review Posted Online: April 28, 2020

Kirkus Reviews Issue: June 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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