Wonderfully detailed, every word the right word, this book is a genuine keeper.

THE END OF THE WORLD NOTWITHSTANDING

STORIES I LIVED TO TELL

This slim collection, a tour de force of circumbendibus, blends memoir, reflective essay, and even travelogue.

Goodwin, a professor of communication at Regis University in Denver, has had a very interesting life. Besides being an academic, she is also an actor and a playwright (some of these anecdotes were written for her stage monologues). Here she covers rural getaways (heightened by wildfires), the perils of housesitting with a borderline feral cat, getting by on the razor edge of flat broke, the Paris catacombs, really strange dreams, neighborhood weirdos, looming tornadoes, panic attacks, the mysteries of the inner ear, sexual misadventures, epiphanies at the Grand Canyon, and much more, all accompanied by often snarky footnotes and small (understated) illustrations. Goodwin isn’t just humorous, but witty. At one point, she tries to enlarge a map in an old book by stretching her fingers out over it, adding, “the page must have been broken.” One long essay, “The Wolf and Me,” deals with those sexual misadventures, and it is where the word circumbendibus is found wonderfully illustrated. The account of a snowmobile ride behind a cute boy is interrupted, time and again, by many painful memories, including early gropings, an attempted rape by “Shmed Smenedy,” and, before that, an actual rape while drugged. This woman, Lord knows, is a survivor, and a tough one. It’s hard to explain, but somehow Goodwin finally gets us back to her ride on that snowmobile with that cute boy who did not try to assault her. The contrast is so stark, the leap from the predatory back to the innocent (he stopped in the woods just to sneak a cigarette) so stark, we are stunned. And relieved, even if the awfulness cannot be wholly exorcised. Goodwin has David Sedaris’ talent of turning on a dime from the truly hilarious to the thoughtful and poignant, helping us to learn new truths.

Wonderfully detailed, every word the right word, this book is a genuine keeper.

Pub Date: April 13, 2021

ISBN: 978-1-60952-201-8

Page Count: 200

Publisher: Travelers' Tales

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: May 1, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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