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CATWALK FAIL

A saucy and ultimately heartwarming tale set in the cutthroat world of high-stakes modeling.

Awards & Accolades

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A debut novel presents an insider’s view of the professional modeling circuit.

Godfrey’s tale stars male model Colin Bryce Hamilton, who has been in the business five years when he suffers a comedic injury to the only part of his anatomy he’s never shown on a runway. Suddenly he’s dropped by his agency and shaken to his core, flashing back to his earliest days working the Milan fashion shows without knowing what he was doing. “A typical day had me casting with Dolce & Gabbana, cat-walking for Armani and posing for Fendi,” he recalls. “After a month of watching sunglasses-wearing clients flip through my book like it was the Yellow Pages, I didn’t get a single job.” As Colin’s life quickly and systematically falls apart (his conniving friends begin to get the modeling jobs he covets; his love life hits the doldrums; etc.), things are made worse by his sister Jasmine’s announcement that she intends to enter the same modeling world that has recently chewed him up and spat him out. Godfrey portrays Colin as affable, funny, and believably callow (“How many glasses of wine does it take to turn a six-foot Russian girl into a destructive whirlwind of lust?” he muses at one point. “No more than four. I counted”), which makes the experience of seeing him put in a crucible oddly intriguing. The narrative is steeped in the narcissistic realities of the modeling world, but those truths are delivered, usually by Colin directly, in the form of sardonic zingers: “There are few problems in modelling that can’t be solved by a body fat percentage below five.” Yet the characters, from rival models to groupies to shady event coordinators, are textured with authenticity. The twin drives of Colin’s own story—to get his life back on track and to protect his sister from ruining hers—are all the more winning for the hero’s feet of clay.

A saucy and ultimately heartwarming tale set in the cutthroat world of high-stakes modeling.

Pub Date: May 10, 2018

ISBN: 978-1-974192-57-1

Page Count: 272

Publisher: CreateSpace

Review Posted Online: July 14, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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