Literary know-it-alls will cackle over the reappearance of Millon de Floss, the Hay-on-Wye reference, and the notion that...

THE WOMAN WHO DIED A LOT

The seventh romp through time, space, and literary arcana for beleaguered superheroine Thursday Next (One of Our Thursdays is Missing, 2011, etc.).

Thursday’s going through a bad patch. She’s walked with a cane since a botched assassination attempt. She’s lost the chance to head up SO-27, the Special Ops Network, to Phoebe Smalls, and has been made chief librarian at the Wessex All-You-Can-Eat-at-Fatso’s Drink Not Included Library Service instead. She frets over the kidnapping of her daughter, Jenny, who’s nothing more than a mind worm planted in her memory by her nemesis, Aornis. Her son Friday, who expected to be one of the Chronoguard elite and repeatedly rescue civilization, has received a Letter of Destiny telling him that he’ll kill Gavin Watkins and spend the next 40 years in prison. Her genius child Tuesday is having difficulty producing a shield that will annul the asteroid-smiting scheduled to descend on Swindon in a day or so. And every so often, Thursday realizes she isn’t herself anymore, but a Day Player, one of several synthetic replicas of herself let loose by Krantz in violation of the Unlicensed Nonevolutionary Life-Forms on the Mainland Act. Are Goliath, the scourge of the world conglomerate, and Jack Schitt, intent on planetary domination, responsible for any of this? Not the immediate problem, as Thursday must first figure out why racy 13th-century novels of St. Zvlkx are being vandalized, deal with Enid Blyton aficionados who favor the very unpolitically correct versions of her works, and escort the Righteous Man to the smite zone, where his presence will skew the incoming smite further out of town. Looming on the horizon is the dreaded confrontation with the Dark Reading Matter.

Literary know-it-alls will cackle over the reappearance of Millon de Floss, the Hay-on-Wye reference, and the notion that books and their upkeep really matter. Those less addicted to puns, time warps, and intergalactic humor will reach for the Excedrin.

Pub Date: Oct. 2, 2012

ISBN: 978-0-670-02502-2

Page Count: 384

Publisher: Viking

Review Posted Online: Aug. 21, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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