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THE JUICE

VINOUS VERITAS

Much of the material here sounds like it was more fun to research than to write or read.

Another collection of the acclaimed writer’s wine journalism, dominated by short pieces for the Wall Street Journal, some of which seem to have been decanting for too long.

Though McInerney has achieved more renown as a novelist (How It Ended, 2009, etc.), many readers and fellow writers might be more envious of his side job, as a wine columnist for House & Garden (where many of the older, longer and more substantial of these pieces appeared) and then for the Wall Street Journal. As someone who admits that he “had a reputation as a party animal; no one had ever accused me of being a connoisseur,” he brings plenty of knowledge and experience with wine to the beat, though he’s still more interested in the sort of expensive pleasures in which most folks can’t afford to indulge than in a consumer-guide approach. “Is any of this relevant to the average wine lover, as opposed to the wealthy collector?” he writes at one point. “I think it is, in several ways. Just as developments in Formula One race cars eventually inform the engineering of the cars the rest of us drive every day, just as haute couture trickles down into the wardrobes of those who have never attended a fashion show”—and so on. “Yes, there’s some wine porn here,” he confesses, though much of the most interesting writing concerns the people who make wine, those who love it and the places where it flourishes rather than the actual experience of drinking it. The book also chronicles the maturation of the writer’s appreciation, from the “flash and flesh” of “big ripe fruit bombs” to more subtle and sophisticated rewards.

Much of the material here sounds like it was more fun to research than to write or read.

Pub Date: May 8, 2012

ISBN: 978-0-307-95728-3

Page Count: 272

Publisher: Knopf

Review Posted Online: March 12, 2012

Kirkus Reviews Issue: April 1, 2012

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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