by Jay McInerney ‧ RELEASE DATE: Aug. 2, 2016
Whether you love him or hate him, this novel is just what you’re expecting from McInerney. So he must be doing it on purpose.
McInerney returns to Russell and Corrine Calloway, the protagonists of his last two novels—call it The Adventures of Mr. and Mrs. Fancy Pants, Volume III: The Cialis Years.
" 'This is lily paste dumpling wrap around foie gras. And this is twenty-four-karat gold leaf,' the waiter [said], dusting each of the dumplings as Russell watched his wife’s expression grow incredulous. 'And this,' he said, sprinkling what looked like bacon bits over Corrine’s plate, 'crushed quail skull.' " It really doesn’t make much difference what it is — the women in this book eat almost nothing. Except for Corrine’s daughter, the precocious Storey Calloway, twin of Jeremy. One of the many things to dislike about Corrine in this, her third incarnation, is that she's so concerned by her 11-year-old daughter’s interest in food. “At breakfast she wants to know what’s for lunch, and at lunch she asks about dinner. And she’s started to watch that damn Food Network.” Finally, thank God, she starts to starve herself like everyone else. Corrine was the moral compass of her set in Brightness Falls (1992). In The Good Life (2006), she found love at a soup kitchen in the ruins of the World Trade Center. Now that love interest is back on the scene, and she resumes her adulterous affair with surprising ease, partly influenced by her truly appalling best friend, Casey. Russell’s career in publishing is a mess, cocaine is back—“it’s not like [it] ever went away,” one character explains—and the “jitney” to the Hamptons is really just a bus with a fancy name. After a long, draggy midsection, the end of this novel kicks into high gear, with a torrent of personal crises, the financial crash, and the Obama election, though a gun pulled out in an early act never goes off. Isn’t that against the rules? So is this dialogue, or at least it should be: “Oh, Russell, is this it? Roses once a year and maybe an obligatory drunken fuck? We’re fifty years old. Where’s the romance?”
Whether you love him or hate him, this novel is just what you’re expecting from McInerney. So he must be doing it on purpose.Pub Date: Aug. 2, 2016
ISBN: 978-1-101-94800-2
Page Count: 416
Publisher: Knopf
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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PROFILES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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