edited by Jay McInerney ‧ RELEASE DATE: Nov. 6, 2018
For wine enthusiasts and newcomers alike, a sharp gathering of writing about wine’s multidimensional, occasionally...
Novelist, screenwriter, and wine connoisseur McInerney (Bright, Precious Days, 2016, etc.) lovingly curates a collection of pieces about the making, selling, and drinking of fine wine.
In interviews, the author often admits that he feels barely ahead of readers when it comes to wine, despite having written about the stuff for venues like the Wall Street Journey, Vanity Fair, and Town & Country for more than 20 years now. Nonetheless, McInerney displays a keen, well-trained literary eye. In this anthology, he selects mostly traditional selections, with a few surprises. The book opens with “Taste,” a 1951 short story by Roald Dahl about a bet to guess the identity and origin of a glass of wine. In “A Stunning Upset,” then Time reporter George Taber chronicles the now-famous “Judgment of Paris,” in which Jim Barrett’s California-based Chateau Montelena beat highly touted French wines in an infamous 1976 contest. At the time, Barrett said, “not bad for a bunch of kids from the sticks….I guess it’s time to be humble and pleased, but I’m not stunned. We’ve known for a long time that we could put our white Burgundy against anybody’s in the world and not take a backseat.” There are wine experts in New York Times wine critic Eric Asimov’s “The Importance of Being Humble” and winemaker Kermit Lynch’s tribute to “Northern Rhône,” but there are also iconoclasts like the late Jim Harrison, who writes, “such bottles truly resonate in the memory, growing even more overwhelming as they distance themselves from the years.” Bill Buford, another larger-than-life character, witnesses a culture clash in “Burgundy on the Hudson.” Other fictions sweeten the collection with rich, sensuous writing that evokes the multifarious senses that wine awakens: selections from Rex Pickett’s Sideways (2004) and Stephanie Danler’s Sweetbitter (2016). The collection also includes pieces from A.J. Liebling, Maximillian Potter, and M.F.K. Fisher.
For wine enthusiasts and newcomers alike, a sharp gathering of writing about wine’s multidimensional, occasionally subversive pleasures.Pub Date: Nov. 6, 2018
ISBN: 978-0-8021-2883-6
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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