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BENJAMIN'S CROSSING

A moving, impressively informed novel based on the life of one of the century's most austere, provocative, and tragic intellectuals, Walter Benjamin (18921940). Parini, a poet, critic (John Steinbeck, 1995), and novelist (Bay of Arrows, 1992, etc.), has created not so much a fictional biography of Benjamin as a meditation on the experience of exile and the difficult emergence of modern thought. Born in Berlin in 1892 to a well-to-do Jewish family, Benjamin reflected many of the 20th-century's most turbulent currents. Even as an adolescent, his remarkable critical faculties were evident, and in quieter times, he might have subsided into academia. As it was, he was doomed to an increasingly uncertain living as a critic of art and literature and as a reviewer. He visited Russia in the 1920s after becoming fascinated by Marxism, and left Germany in the 1930s after the rise of the Nazis. He lived uneasily in Paris, doubly suspect for being both Jewish and a possible Communist, was interned for a time by French authorities, then fled to Spain in 1940. He apparently committed suicide soon after arriving there. Parini concentrates on several episodes in Benjamin's life (the period just before and during WWI, Benjamin's visit to Russia, his hard life in Paris in the late '30s, his flight to Spain), and uses several narrators (including his lifelong friend, the scholar Gershom Scholem, and his diffident lover Asja Lacis) to catch something both of Benjamin's brilliance and of his oblique, tormented personality. It's hard, though, to do much more in a novel than suggest something of the man's highly original (and still influential) theories about mass culture and literature. And Benjamin's character (made up in equal parts, it seems, of the bohemian and the scholar) remains somewhat elusive here. Nonetheless, Parini's portrait of an entire generation of intellectuals overwhelmed by revolution and war, and of their desperate attempts to make sense of their world, is resonant, convincing, and deeply sad. (Author tour)

Pub Date: May 1, 1997

ISBN: 0-8050-3180-4

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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