There is plenty of insight and illumination into cultural difference between the two countries, but these never coalesce...

THE SUN GODS

A debut novel, from the longtime translator of Haruki Murakami's work, about culture clash between Americans and Japanese in the World War II era.

This novel arrives with an impressive pedigree; in addition to translating Murakami, Rubin (Making Sense of Japanese, 2002) is a scholar of Japanese literature who has taught at Harvard. So readers might be surprised at the heavy-handedness and lack of nuance in his fiction, which suffers from undeveloped characters, maudlin dialogue, and a contrived plot. Before Pearl Harbor, the widowed pastor of a Japanese congregation in Seattle becomes smitten with a newcomer to the church. “He felt his legs grow weak” at his first sight of Mitsuko. “She was stunning.” The pastor, who is white, has a young son, Billy, who will mature into the novel’s protagonist. Mitsuko lost a child and no longer has a husband, having left one who beat her in Japan. For the purposes of fiction, the coincidences are perfect. He lusts for her as much as a devout Christian can, while she, in turn, feels stirrings as well. “The Lord is tempting me now,” she tells him. “You are my temptation, Pastor Tom.” She and Billy form a bond much stronger than the one the boy has with his father as the marriage between the two meets resistance from both cultures. After Pearl Harbor, tensions estrange the pastor from his wife, who leaves with his son for an internment camp, rejecting the religion he represents. Billy eventually returns to his father, and much of the novel finds him following in his dad’s footsteps, studying to become a minister and a missionary, showing an affinity for Japanese women. The fate of Mitsuko is a mystery he must resolve as he follows his mission to Japan and has all sorts of revelations, some more probable than others.

There is plenty of insight and illumination into cultural difference between the two countries, but these never coalesce into a fully fleshed novel.

Pub Date: June 2, 2015

ISBN: 978-1-63405-950-3

Page Count: 320

Publisher: Chin Music Press

Review Posted Online: April 4, 2015

Kirkus Reviews Issue: April 15, 2015

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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